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Level | 6 |
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The New York Brass Sextet Journal Volume #3
$40.00
I Will Trust Thee (prel.-Camsey); Promises (arr.-W. Broughton); Swing Low (arr.-Soderstrom); In The Garden (arr.-B. Broughton); Journey (selection-Bulla)
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Jonah
A brass sextet scored for two trumpets, horn, trombone, baritone and tuba (and opt. trp for horn). The style is a takeoff of traditional naval tunes. The first section presents the tune in a jovial manner with interludes by the upper brass and continues with motives passed around the various voices. A modulation takes place with thematic material in the lower brass. Now, little snippets of patterns passed around until another modulation leading to material like the beginning. Then a playful exchange of lines leading up to a final kicker.
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Alleluia!
Scored for various mallet instruments as well as general percussion. The piece begins with tutti percusion overlayed with vocal narrations giving a dramatic effect. The piece then explodes with a mallet ostinato and then joined with tutti mallets on the theme. Next, after a ritardando, the mallets present a calm thematic rendition supported by gentle effects of the other percussion. It builds to a strong climax and the ostinato returns with the theme to follow. The final section uses imitative devices with the general percussion becoming more active. Until it all leads up to a stirring conclusion.
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Protection Medley
A brass sextet with opt. parts for flugelhorn and BHTC. The beginning presents a vigorous fanfare where it settles down into solemn rendition of “Leaning On The Everlasting Arms.” After a motivic transition the piece continues with a tuba solo “A Shelter In The Time Of Storm”. with more open scoring passing the tune around amongst the parts. Another modulation, another tune- this time “The Solid Rock” in a slower tempo giving resolve and purpose. The Coda is in a fanfare stance gaining more power leading up to the final chord.
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Patriot’s Medley (Woodwind Supplement)
The score is set up various woodwinds to supplement the brass arrangement including: “God Of Our Fathers,” “Battle Hymn of the Republic,” and ending with “America.” It captures all the grandeur and majesty one would expect in an arrangement such as this.
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Pilgrim Medley
A brass sextet with opt. parts for flugelhorn and BHTC. The beginning introduces stacked motives building to full chords. Following is a rendition of “When I Can Read My Title Clear” with melody broken down into fragments passed around to the various instruments. After key changes the quintet presents “I Am Bound For The Promised Land” in much the same fabric of the earlier section. After a brief transition in a new key we find “Just Over In The Glory Land” in a more flowing style than the earlier tunes. The Coda section becomes my rhythmically active where it ends on a solid chord .
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How Can I Fear?
This piece starts out in a plaintive style in the upper brass and then is responded in like kind by the lower brass. The second section transposes up a step and with more contrapuntal design giving more tension only to settle down to a sense of consolation.
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A Servant’s Heart
A brass quintet, optionally sextet, begins with a soulful trombone solo joined with the remainder of the lower brass instrument only to be taken over by the trumpets. The middle section uses a punctuated accompaniment for nice variety only to migrate to the flowing style of the beginning. It then ends in solemn repose.