SKU: | 17502 |
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Category: | Sextets |
The New York Brass Sextet Journal Volume #2
$40.00
Faithful (march-S. Ditmer) ; Manhattan (march-Bulla); Rock Of Ages (march-Bulla); Saviour (arr.- Bulla); Sheaves (arr.-B. Broughton)
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The Old Rugged Cross
The introduction of this brass sextet (3 Trp., 3 Trom.) begins with strong choral movement and then settles into repose. The first presentation of the tune is in the trombones with a subtle counterline in the trumpets which then opens up to a stronger movement with the melody in the trumpet. The tune then reverts back to the trombones and then transitions to a move active support pattern in the trombones with a solo in the second trumpet. The final section gives way to a powerful presentation of the tune and immediately settles into a sensitive climate, much like the beginning. After a DC the piece ends with the strong motifs of the introduction giving a sense of finality. (Opt Horn for 1st Trom.)
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Power Medley
This brass sextet is a medley including I Sing The Mighty Power Of God; All Hail The Power; Power In The Blood; and, A Mighty Fortress. It begins with a full ensemble fanfare in a regal fashion breaking into the first theme. It continues in this fashion until a stately rendition of A Mighty Fortress with an answer in a smoothly, reflective style. It ends in an ambitious fanfare much the way it begins.
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Patriot’s Medley
The score is set up for 2 trumpets, horn, 2 trombones and tuba. The medley includes: “God Of Our Fathers,” “Battle Hymn of the Republic,” and ending with “America.” It captures all the grandeur and majesty one would expect in an arrangement such as this.
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I Will Sing
A vigorous piece that begins with extraneous thematic material that goes through various transformations that eventually breaks open to the theme of the title. An exciting brass ensemble that’s certain to please an audience of various venues.
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A Servant’s Heart
A brass quintet, optionally sextet, begins with a soulful trombone solo joined with the remainder of the lower brass instrument only to be taken over by the trumpets. The middle section uses a punctuated accompaniment for nice variety only to migrate to the flowing style of the beginning. It then ends in solemn repose.