Instrument | |
---|---|
Level | 3 |
Occasion | |
Writer | |
Publisher | |
Copyright | 2004 |
Sunlight and Shelter March
$12.95
Related products
-
Old Time Religion
A traditional brass quintet with an optional baritone part which allows to be a sextet as well. The beginning is active establishing a happy beginning to the piece. Then all the parts are in straight harmonies and then become fragmented. A modulation takes place allowing the lower voices to carry the tune. Then a tuba sola solo commences with light upper parts decorating the lines, until the parts fragment. This concludes with a modulation with motivic statements. After a brief intermission the piece takes off again with the tune in the lower voices and the trumpets add a flurry descants. As the piece comes to a close more and more voices add to the mix until the pieces adds a solid, grand statement.
-
How Firm A Foundation
Opening with a fanfare, the first section is in block harmonization with some moving lines. It then moves into melodic statements in the lower instruments with supported obiligatti in the trumpets and horn. The structure again becomes solid in scoring only to return with similar trumpet obbligati. The obbligati is next introduced in the lower voices and then increased rhythmic activity in all voices builds to a solid ending.
-
-
A New Name In Glory
A brass quintet with opt. Trumpet for horn and baritone TC. It begins with fanfare motifs of the tune and then breaks into the hymn adding more parts as it progresses. It continues with a Q&A type of dialog between the lower, then upper voices. The second setion in a different key is reminiscent of the opening only this time in the middle voices and again moves in a Q&A type of dialog. Again modulating to a new key the theme is bounced around with rhythmical interest only to finalize in strong chordal patterns and ending on a bold declamation.
-
Guide Me, O Thou Great Jehovah
A woodwind quintet with opt. parts for Alto Sax and Bass Clar. This piece presents itself with a sense of joy throughout with the introduction itself in a motivic manner setting the tone. The melody is fragmented, passing the tune around to the various voices. The middle section mirrors the introduction in texture and again passes melodic material around the different voices. The final section is more subdued until it starts stacking the motifically structured parts until it ascends to a dramatic conclusion.
-
-
Give Me This Mountain
A standard brass quintet with optional trumpet for horn. As one might expect the piece is cheerful from beginning to end. It opens with rhythmic patterns where the first statement of the tune is presented by the trombone. The chorus is harmonically in block format where it comes to an end. NOW, something different the second trumpet and tuba present a simple accompaniment while all the other voice, yes voices, sing the words and melody of the song! A brief conclusion, a modulations and the piece returns to the texture of the earlier statement. The a bit of tongue and check statements and a very conclusive ending.
-
A Servant’s Heart
A brass quintet, optionally sextet, begins with a soulful trombone solo joined with the remainder of the lower brass instrument only to be taken over by the trumpets. The middle section uses a punctuated accompaniment for nice variety only to migrate to the flowing style of the beginning. It then ends in solemn repose.