Instrument | |
---|---|
Level | 3 |
Occasion | |
Tune Name | |
Theme | Spirit Of God, Descend Upon My Heart |
Hymn First Line | Spirit of God, descend upon my heart, |
Writer | |
Composer | |
Publisher | |
Copyright | 1999 |
Key | C |
Meter | 4-4 |
Idiom | String trio, unacc. |

Spirit of God, Decend Upon My Heart
$13.00
Related products
-
Victory Through Grace
An unaccompanied saxophone trio for three altos (and optional tenor sax) part. The introduction is based on a exuberant motive that leads into the first section which is a straight-forward melody with straight-forward harmonic support. This leads into the next section which gravitates to a different meter as well as key. The parts interplay giving a sense of constant movement. Another modulation takes place and the mood is one of victory and solidification. This continues until a triumphant motive of celebration and victory.
-
Away In A Manger (acc)
For three like instruments, accompanied by piano, the piece is largely homophonic in nature. There are various phrases that are rhythmically altered for interest-active, yet sublime.
-
Power in the Blood (acc)
This flute trio with piano accompaniment is presented in a solid, determined manner. It makes a definitive statement in the “Power in the Blood” of Christ. The middle section changes meter while maintaining the character of the opening.
-
In The Garden
This trio for Easter renders a simple and gentle movement that is continually flowing with contrapuntal lines that exudes wonderment- truly a piece that causes reflection. There is activity in each of the parts and the melodic material is passed around for interest. If you want a piece for reflection this might well be the piece for you.
-
I Know Whom I Have Believed
“I Know Whom I Have Believed” starts out in a manner of joyful confidence. The parts are in basic triadic harmony and then offer solo lines for the various parts. The piece concludes with a sense of strong confidence that the hymn portrays.
-
I Know Whom I Have Believed
“I Know Whom I Have Believed” starts out in a manner of joyful confidence. The parts are in basic triadic harmony and then offer solo lines for the various parts. The piece concludes with a sense of strong confidence that the hymn portrays.
-
-
Away In A Manger
For three like instruments, accompanied by piano, the piece is largely homophonic in nature. There are various phrases that are rhythmically altered for interest-active, yet sublime.