| Instrument | |
|---|---|
| Level | 3 |
| Occasion | |
| Theme | Away In A Manger, Change My Heart/Lord, Be Glorified, Come Christians Join To Sing, Easter Song, Etude, Great Is The Lord/Great Is Thy Faithfulness, I Will Bless The Lord, Joshua Fit The Battle Of Jericho, Lauda Anima/Hyfrydol, O Savior Hear Me, On Eagle' |
| Writer | |
| Publisher |
Solos & Duets for Bb Instruments & Acc. Vol I
$26.95
Twelve Solos & Duets for Bb Instruments & Acc.
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Three German Carols #2
$6.00A duet for alto saxes and piano and is presented as a suite. Titles include “Christmas Is Here- Weinacht Is Heut,” “Alle Jahre Wieder,” “Come, Ye Shepherds- Kommet, Ihr Hirten.” Can be performed as a solo.
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To God Be The Glory
$6.00This duet with piano uses some expressive, interactive cadenza work between the duet parts in the beginning and during the work. It is vigorous in nature otherwise and ends with a torrent of joy!
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In The Sweet By and By
$6.00An accompanied clarinet duet which begins with a melodic motif and then presents the hymn tune in untision my the two parts. The chorus then breaks into a duet harmonization in a straight forward manner. The next section presents the first part in a melodically altered rendition with the second part answering in an obbligato like fashion. The middle section is a Q&A forma with the piano dropping out, followed by a piano solo section. A modulation now gives rise to the second part acting as a solo, followed by another moduation where the first takes over as a soloist. Then another modulation and then the two parts present the chorus in a straight duet section. Where it remains until the end- as a strong final ending.
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Power in the Blood (acc)
$6.00This flute duet with piano accompaniment is presented in a solid, determined manner. It makes a definitive statement in the “Power in the Blood” of Christ. The middle section changes meter while maintaining the character of the opening.
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In The Sweet By and By
$6.00An accompanied saxophone duet (2-Altos with opt. Tenor) duet which begins with a melodic motif and then presents the hymn tune in unison by the two parts. The chorus then breaks into a duet harmonization in a straight forward manner. The next section presents the first part in a melodically altered rendition with the second part answering in an obbligato like fashion. The middle section is a Q&A form with the piano dropping out, followed by a piano solo section. A modulation now gives rise to the second part acting as a solo, followed by another modulation where the first takes over as a soloist. Then another modulation where the two parts present the chorus in a straight duet section., where it remains until the end.
