| Instrument | |
|---|---|
| Level | 2.5 |
| Preview | https://www.despub.com/wp-content/uploads/pdfs/pdf110140.pdf |
| Recording | https://www.despub.com/wp-content/uploads/music/mpt110140.mp3 |
| Occasion | |
| Tune Name | |
| Theme | Savior, Like A Shepherd Lead Us |
| Hymn First Line | Savior, like a shepherd lead us |
| Writer | |
| Composer | |
| Publisher | |
| Copyright | 1995 |
| Key | Bb, Eb |
| Meter | 4-4 |
| Duration | 3'00" |
| Idiom | Flute solo |
| Form | Song (binary) |
Saviour Like A Shepherd
$4.00
An accompanied flute solo which begins with a piano introduction and then presents a modified melody with an extended cadence in the piano. A modulation occurs where the solo line presents a variation of the original theme to a higher register giving a sense of intensity and then ends with a solemn motive
An accompanied flute solo which begins with a piano introduction and then presents a modified melody with an extended cadence in the piano. A modulation occurs where the solo line presents a variation of the original theme to a higher register giving a sense of intensity and then ends with a solemn motive.
An accompanied flute solo which begins with a piano introduction and then presents a modified melody with an extended cadence in the piano. A modulation occurs where the solo line presents a variation of the original theme to a higher register giving a sense of intensity and then ends with a solemn motive.
An accompanied flute solo which begins with a piano introduction and then presents a modified melody with an extended cadence in the piano. A modulation occurs where the solo line presents a variation of the original theme to a higher register giving a sense of intensity and then ends with a solemn motive.
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