Redeemed

An unaccompied flute duet that begins with imitative devices between the parts then moves to a nice duet treatment. The piece becomes more contrapuntalas it progresse and then breaks into a series of florishes. It then settles down into a pleasant duet harmy and movement.

This flute duet with piano accompaniment is presented in a solid, determined manner. It makes a definitive statement in the “Power in the Blood” of Christ. The middle section changes meter while maintaining the character of the opening.

This clarinet duet is presented in a rather simple two part fashion. Subsequent verses engage contrapuntal diversity of the melody line versus the harmony. A stirring rendition for any venue.

An accompanied saxophone duet (2-Altos with opt. Tenor) duet which begins with a melodic motif and then presents the hymn tune in unison by the two parts. The chorus then breaks into a duet harmonization in a straight forward manner. The next section presents the first part in a melodically altered rendition with the second part answering in an obbligato like fashion. The middle section is a Q&A form with the piano dropping out, followed by a piano solo section. A modulation now gives rise to the second part acting as a solo, followed by another modulation where the first takes over as a soloist. Then another modulation where the two parts present the chorus in a straight duet section., where it remains until the end.

A duet for alto saxes and piano and is presented as a suite. Titles include “Christmas Is Here- Weinacht Is Heut,” “Alle Jahre Wieder,” “Come, Ye Shepherds- Kommet, Ihr Hirten.” Can be performed as a solo.