| Instrument | |
|---|---|
| Level | 3 |
| Recording | |
| Occasion | |
| Theme | Peter, Go Ring Them Bells |
| Writer | |
| Publisher | |
| Copyright | 1998 |
Peter, Go Ring Them Bells (solo Bb/C)
$24.95
Related products
-
Brighten The Corner Where You Are
$12.00A standard brass quintet with optional trumpet for horn. As one might expect the piece is cheerful from beginning to end. After a bright intro, the trumpet carry the tune until handed over to the middle voices with flourishes in the trumpets. After a transition that leads upward to an exciting climax. The piece abruptly shits to a quiet and expressive section lead by the trombone on the theme where it all builds to another zenith and once again abruptly goes quiet. A modulation and meter shift and the piece becomes countrapuntally gentle.. A meter shift back to the beginning and an exuberant building to a joyous conclusion.
-
Old Time Religion
$12.00A traditional brass quintet with an optional baritone part which allows to be a sextet as well. The beginning is active establishing a happy beginning to the piece. Then all the parts are in straight harmonies and then become fragmented. A modulation takes place allowing the lower voices to carry the tune. Then a tuba sola solo commences with light upper parts decorating the lines, until the parts fragment. This concludes with a modulation with motivic statements. After a brief intermission the piece takes off again with the tune in the lower voices and the trumpets add a flurry descants. As the piece comes to a close more and more voices add to the mix until the pieces adds a solid, grand statement.
-
-
Blessed Assurance
$9.00This woodwind quintet (with opt. parts) is constantly on the move. While the melodic material is always made aware, the accompanying parts are full of movement. Even with metrical changes there is a constant flow giving a sense confidence and resolve. It bubbles from beginning to end and finally makes a solid statement of assurance.
-
Guide Me, O Thou Great Jehovah
$9.00A woodwind quintet with opt. parts for Alto Sax and Bass Clar. This piece presents itself with a sense of joy throughout with the introduction itself in a motivic manner setting the tone. The melody is fragmented, passing the tune around to the various voices. The middle section mirrors the introduction in texture and again passes melodic material around the different voices. The final section is more subdued until it starts stacking the motifically structured parts until it ascends to a dramatic conclusion.
-
A New Name In Glory
$9.00A brass quintet with opt. Trumpet for horn and baritone TC. It begins with fanfare motifs of the tune and then breaks into the hymn adding more parts as it progresses. It continues with a Q&A type of dialog between the lower, then upper voices. The second setion in a different key is reminiscent of the opening only this time in the middle voices and again moves in a Q&A type of dialog. Again modulating to a new key the theme is bounced around with rhythmical interest only to finalize in strong chordal patterns and ending on a bold declamation.
-
Look And Live
$12.00A traditional brass quintet with opt. trumpet for horn and extra baritone for use as a sextet. The introduction uses extraneous material where it leads in the first theme in the French horn, supplemented by trombone counterlines and trumpet flourishes. Thematic movies are then embellished leading up to a modulation where the tempo slows and a new mood encountered. The first trumpet carries the lead and offset with a horn duet line. Another modulation, an a-tempo with the theme in the low brass and accompaniment lines in the middle brass. This continues until the voices stack up until a boisterous conclusion is achieved.
-
Lead On O King Eternal
$10.00A traditional brass quintet with opt. trumpet for horn and extra baritone for use as a sextet. The introduction uses extraneous material where it leads in the first theme by the trombone until the theme is passed around in fragments until the them is taken over by the trumpets, and the trombones. A modulation takes place where the theme is in the trombones with flourishes in the trumpets. The trumpets now take the theme with flourishes in the middle voices until the piece ends with a declamatory statement.
