| SKU: | 182906.5 |
|---|---|
| Category: | Large Ensemble |
Parts-The Joy of Christmas (Spec.)
$1.50
see 182906
Related products
-
Jesus, Lover Of My Soul
$11.00Three Plus Flutes for three soprano with opt. 4th/ob. with alto and bass. An opening with an active top voice giving over to the lower voices doing the same. Then in block harmonic movement the pieces moves along with subtle harmonic shifts. The middle section continues in much the same fashion with dynamic shifts. The next area is the same fashion only this time with the lower voices carrying the activity and the upper voice in more solemn movement. The final section is more active with the top voice using material from the introduction and slows to repose.
-
Crown Him With Many Crowns
$20.00Scored for the woodwind section of a concert band arrangement, this Easter celebration is presented with strong traditional thematic statements, all the while being surrounded by exuberant obligati features.
-
Go Tell/Mountain (band acc)
$35.00A band accompaniment for the woodwind solo based on the piano accompaniment found in the solo/piano version. It comes with four woodwind solo lines as well as a full band set. The piece’s counterpoint features the combination of both themes of the tune at the same time.
-
-
He Is Born, The Divine Christ Child
$11.00Three Plus Flutes for three soprano with opt. 4th/ob. with alto and bass & piccolo. The piece gins in a spritely duet in the upper voices and reverses roles with the lower voices carrying the melody and duet lines. All four voices now join in a smooth, serene fashion until it gains dynamic and harmonic strength. A modulation upward with the tune in voice two, and an obbligato-like movement in part one, while the lower parts underpin with a simplistic, though active line. In the last section the parts become more active and excitement abounds until a final flourish establishes the end.
-
Come, Thou Long-Expected Jesus
$11.00Three Plus Flutes for three soprano with opt. 4th/ob. with alto and bass. The begins with the tune in the upper line and then shifted to activity in the inner lines. And then back to the voicing of the beginning, coming to a solid conclusion.
