This flute solo begins with the piano playing a gentle motif of the theme and then joined in with the solo line playing the theme in a straight forward fashion. The theme is now stated in a modified manner while the soloist exudes a moving obbligato line which adds more excitement to the piece. The piece concludes with the latter section of the first section and then settles into a solemn repose.
This solo with piano makes a straight forward statement of the tune followed by a contrasting section using a new counter melody. It then returns to the opening theme.
This solo with piano begins with a bold march statement with an elongated rhythm of the melody. The middle section is more expressive while the final section imitates the beginning, with a solid statement of faith.
This bubbly rendition of “Come Thou Fount” is effervescent from beginning to end. It is filled with movement and excitement expressing intense joy throughout.
Taken from the “Messiah”, this solo with piano is essentially a transcription of the original work. The balance in the writing between the solo and the accompaniment gives way to the sensitivity of the text of this well-know aria..