O Come Emmanuel

For three like instruments, accompanied by piano, the piece is largely homophonic in nature. There are various phrases that are rhythmically altered for interest-active, yet sublime.

This trio begins with a joyful piano introduction which leads into a three part harmonization of the instrumental parts. The second section is a lilting (waltz feeling) in block harmonization and then goes into a bell-tone rendition of the tune. A brief transition in a slower, expressive style comes to repose where it concludes in the joyful style that the piece began.

This saxophone trio is presented in an exciting, straight forward fashion; moving continually in a statement of joy and revelry. It ends on a high note of praise.

This trio begins with a simple rendition of the melody supported by the lower voices and then goes into light imitation of the melodic motifs. The second statement passes the tune around the parts with brief embellishment by the remaining parts and then concludes on a strong chord with piano under-pining.

A clarinet trio that expresses the joy of redemption through melodic embellishment, some trills, and harmonic changes. The hymn tune, “Redeemed”, is passed around amongst the parts of this unaccompanied trio.