| Instrument | |
|---|---|
| Level | 4 |
| Occasion | |
| Tune Name | |
| Theme | O Come, All Ye Faithful |
| Hymn First Line | O come, all ye faithful, joyful and triumphant |
| Writer | |
| Composer | |
| Publisher | |
| Copyright | 1998 |
| Key | G, C |
| Meter | 4-4 |
| Idiom | String quartet |
| Form | Song (ternary) |
O Come, All Ye Faithful
$14.95
Related products
-
-
Holy, Holy, Holy (unacc)
$7.00A flute quartet which begins with a Q/A format and then breaks into a chordal structure with some gentle modifications. This format continues until it moves into a modulation where the piece once again uses a Q/A design- keeping the piece on the move. This flowing movement continues until it modulates into a section that is grand and declamatory. After some unctuated accompaniment the piece makes a final declamation then lies into repose.
-
O Sacred Head (unacc)
$5.00This quartet is in a solemn legato style throughout featuring melodic materials in each of the four parts. It is graced with gently moving accompaniment lines that further enhances the reflective spirit which is so evident in this hymn. It peaks in different portions of the composition and then reflects itself in a quiet repose to end.
-
There’s A New Song In My Heart (unacc)
$7.50An accompanied flute solo which begins with a piano introduction and then presents a modified melody with an extended cadence in the piano. A modulation occurs where the solo line presents a variation of the original theme to a higher register giving a sense of intensity and then ends with a solemn motive.
-
Lily of The Valley
$9.00A flute quartet that is joyous and exhuberant expressing the finding of the Savior, from beginning to end. It doesn’t let up with its joyous with a flurry of rapture ending on a high note of praise.
-
-
God So Loved The World (unacc)
$8.00A unaccompanied flute quartet that begins with an extensive introduction with moving lines in all four parts. The next section is carried in the fourth part with counter lines in the upper parts. The interest then shifts to the upper parts with counterlines in the lower voices. The last section is carried by the upper line but is shifted around the various voices giving much interest to the piece and a sense of constant movement
