| Instrument | |
|---|---|
| Level | 4 |
| Preview | |
| Recording | |
| Occasion | |
| Theme | Hark The Herald Angels Sing, O Little Town Of Bethlehem, We Three Kings, March of the Kings, Behold That Star |
| Writer | |
| Publisher | |
| Copyright | 2012 |
| Key | D, A, d, G, |
| Meter | 2-4, 4-4, 6-4, 9-8, 6-8 |
| Duration | 3'50" |
| Idiom | Orchestra |
| Form | Overture |
| Comments | fl 1,2, ob 1,2, bssn, cl 1,2, trp 1,2,3, hn 1,2,3,4 tromb 1,2, tuba, harp, timp, perc=(6 players: sus cym, cr cym, SD, BD, bongos, cabassa, xyl), vln 1,2, vla, ce, str bass, synth string reduction.: see info |
Night Of Wonder
$50.00
An energetic medley of Hark the Herald Angels Sing, O Little Town of Bethlehem, We Three Kings, March of the Kings, and Behold That Star. Numerous tempo and meter changes present challenges, but no individual part is extremely difficult.
Related products
-
Patriot’s Medley
$20.00Scored for the woodwind section of a concert band arrangement, this Easter celebration is presented with strong traditional thematic statements, all the while being surrounded by exuberant obligati features.
-
Jesus, Lover Of My Soul
$11.00Three Plus Flutes for three soprano with opt. 4th/ob. with alto and bass. An opening with an active top voice giving over to the lower voices doing the same. Then in block harmonic movement the pieces moves along with subtle harmonic shifts. The middle section continues in much the same fashion with dynamic shifts. The next area is the same fashion only this time with the lower voices carrying the activity and the upper voice in more solemn movement. The final section is more active with the top voice using material from the introduction and slows to repose.
-
-
God’s Care
$10.00(3-tpt, 2-hn, 2-tmb, BH, tba): God Be With You; God Leads Us Along; God Will Take Care of You; We Have An Anchor
-
-
The Master Hath Come
$11.00Three Plus Flutes for three soprano with opt. 4th/ob. with alto and bass & piccolo. An introduction using unrelated material leads the tune presented in voice two, supported by harmonies in the lower voices, then an obbligato-like motion added by the upper voice. A modulation upward makes room for a duet in the upper lines, later joined by the lower voices in a contrapuntal fashion. The final section becomes more vigorous and imitative until a solid, declamatory ending.
