| Instrument | |
|---|---|
| Level | 1 |
| Recording | |
| Occasion | |
| Theme | Mary Had A Baby |
| Writer | |
| Publisher | |
| Copyright | 2016 |
| Comments | Mary Had A Baby |
Mary Had A Baby
$24.95
Related products
-
-
Carol Of The Bells
$12.00A traditional quintet with optional sixth part baritone, this driving arrangement passes the melodic material constantly around the ensemble. A fun piece to play!
-
Brighten The Corner Where You Are
$12.00A standard brass quintet with optional trumpet for horn. As one might expect the piece is cheerful from beginning to end. After a bright intro, the trumpet carry the tune until handed over to the middle voices with flourishes in the trumpets. After a transition that leads upward to an exciting climax. The piece abruptly shits to a quiet and expressive section lead by the trombone on the theme where it all builds to another zenith and once again abruptly goes quiet. A modulation and meter shift and the piece becomes countrapuntally gentle.. A meter shift back to the beginning and an exuberant building to a joyous conclusion.
-
-
A Servant’s Heart
$10.00A brass quintet, optionally sextet, begins with a soulful trombone solo joined with the remainder of the lower brass instrument only to be taken over by the trumpets. The middle section uses a punctuated accompaniment for nice variety only to migrate to the flowing style of the beginning. It then ends in solemn repose.
-
-
Assurance March
$9.00A traditional brass quintet with opt. trumpet for horn and extra baritone for use as a sextet. A piece in Alle Breve, is simply stated in block chords with an active bass line. The first strain, is repeated, and follows traditional march scoring. The second section is a bit slower and again in block chord structure, but this time with a first trumpet obbligato. With a regaining of tempo and style the piece becomes stronger until a grandiose ending.
-
Guide Me, O Thou Great Jehovah
$9.00A woodwind quintet with opt. parts for Alto Sax and Bass Clar. This piece presents itself with a sense of joy throughout with the introduction itself in a motivic manner setting the tone. The melody is fragmented, passing the tune around to the various voices. The middle section mirrors the introduction in texture and again passes melodic material around the different voices. The final section is more subdued until it starts stacking the motifically structured parts until it ascends to a dramatic conclusion.
