Majesty

The introduction of this brass sextet (3 Trp., 3 Trom.) begins with strong choral movement and then settles into repose. The first presentation of the tune is in the trombones with a subtle counterline in the trumpets which then opens up to a stronger movement with the melody in the trumpet. The tune then reverts back to the trombones and then transitions to a move active support pattern in the trombones with a solo in the second trumpet. The final section gives way to a powerful presentation of the tune and immediately settles into a sensitive climate, much like the beginning. After a DC the piece ends with the strong motifs of the introduction giving a sense of finality. (Opt Horn for 1st Trom.)

The score is set up various woodwinds to supplement the brass arrangement including: “God Of Our Fathers,” “Battle Hymn of the Republic,” and ending with “America.” It captures all the grandeur and majesty one would expect in an arrangement such as this.

A brass sextet with opt. parts for flugelhorn and BHTC. The beginning presents a vigorous fanfare where it settles down into solemn rendition of “Leaning On The Everlasting Arms.” After a motivic transition the piece continues with a tuba solo “A Shelter In The Time Of Storm”. with more open scoring passing the tune around amongst the parts. Another modulation, another tune- this time “The Solid Rock” in a slower tempo giving resolve and purpose. The Coda is in a fanfare stance gaining more power leading up to the final chord.

A brass sextet scored for two trumpets, horn, trombone, baritone and tuba (and opt. trp for horn). The style is a takeoff of traditional naval tunes. The first section presents the tune in a jovial manner with interludes by the upper brass and continues with motives passed around the various voices. A modulation takes place with thematic material in the lower brass. Now, little snippets of patterns passed around until another modulation leading to material like the beginning. Then a playful exchange of lines leading up to a final kicker.

This piece starts out in a plaintive style in the upper brass and then is responded in like kind by the lower brass. The second section transposes up a step and with more contrapuntal design giving more tension only to settle down to a sense of consolation.