Love Lifted Me (solo Bb/C)

A brass quintet with opt. Trumpet for horn and baritone TC. It begins with fanfare motifs of the tune and then breaks into the hymn adding more parts as it progresses. It continues with a Q&A type of dialog between the lower, then upper voices. The second setion in a different key is reminiscent of the opening only this time in the middle voices and again moves in a Q&A type of dialog. Again modulating to a new key the theme is bounced around with rhythmical interest only to finalize in strong chordal patterns and ending on a bold declamation.

A traditional brass quintet with an optional baritone part which allows to be a sextet as well. The beginning is active establishing a happy beginning to the piece. Then all the parts are in straight harmonies and then become fragmented. A modulation takes place allowing the lower voices to carry the tune. Then a tuba sola solo commences with light upper parts decorating the lines, until the parts fragment. This concludes with a modulation with motivic statements. After a brief intermission the piece takes off again with the tune in the lower voices and the trumpets add a flurry descants. As the piece comes to a close more and more voices add to the mix until the pieces adds a solid, grand statement.

(std+ opt)(opt quartet) Joy To The World; God Rest Ye Merry Gentlmn; Angels We Have Heard On High; O Little Town Of Bethlehem

A traditional brass quintet with opt. trumpet for horn and extra baritone for use as a sextet. A piece in Alle Breve, is simply stated in block chords with an active bass line. The first strain, is repeated, and follows traditional march scoring. The second section is a bit slower and again in block chord structure, but this time with a first trumpet obbligato. With a regaining of tempo and style the piece becomes stronger until a grandiose ending.