Instrument | |
---|---|
Level | 2 |
Occasion | |
Tune Name | |
Theme | Jerusalem, My Happy Home |
Hymn First Line | Jerusalem, my happy home, when shall I come to thee? |
Writer | |
Composer | |
Publisher | |
Copyright | 1988 |
Jerusalem, My Happy Home
$12.50
(Four Plus WW)
Related products
-
Be Thou My Vision
A woodwind quartett scored for flutes, clarinets, and other woodwind instruments, this piece presents itself in a gentle, thought provoking manner. The middle section is faster, giving a heightened sense of thought worthiness.
-
Tis So Sweet To Trust
A quartet for 2 flutes and 2 clarinets with opt. parts for oboe, B. clar., bassoon and Alto sax. After a brief introduction the flutes carry the melodic material and then shifting the chorus to the clarinets. A modulation shifts the attention to the clarinet melody with punctuation remarks in the other instruments. Further transition moves to another modulation where thematic motifs are passed around in a fughetta fashion where it then becomes more choral in nature ending in a solemn statement.
-
O Sacred Head
This quartet is in a solemn legato style throughout featuring melodic materials in each of the four parts. It is graced with gently moving accompaniment lines that further enhances the reflective spirit which is so evident in this hymn. It peaks in different portions of the composition and then reflects itself in a quiet repose to end.
-
Holy, Holy, Holy
Written for flute, oboe, clarinet or saxophone this pieces creates a solemn presence by the way it interweaves the various parts together. It would work well for a meditation.
-
Blessed Be The Name
This saxophone quartet is portrayed in a crisp and cheerful manner. The theme is passed around among the various parts and gains excitement as it passes through several keys. Surely a delight as a special number in any venue. (S/A-A-T-B)
-
Holy, Holy, Holy (unacc)
A flute quartet which begins with a Q/A format and then breaks into a chordal structure with some gentle modifications. This format continues until it moves into a modulation where the piece once again uses a Q/A design- keeping the piece on the move. This flowing movement continues until it modulates into a section that is grand and declamatory. After some unctuated accompaniment the piece makes a final declamation then lies into repose.
-
There’s A New Song In My Heart (unacc)
An accompanied flute solo which begins with a piano introduction and then presents a modified melody with an extended cadence in the piano. A modulation occurs where the solo line presents a variation of the original theme to a higher register giving a sense of intensity and then ends with a solemn motive.
-
O Sacred Head (unacc)
This quartet is in a solemn legato style throughout featuring melodic materials in each of the four parts. It is graced with gently moving accompaniment lines that further enhances the reflective spirit which is so evident in this hymn. It peaks in different portions of the composition and then reflects itself in a quiet repose to end.