Holy, Holy, Holy

Scored for various mallet instruments as well as general percussion. The piece begins with tutti percusion overlayed with vocal narrations giving a dramatic effect. The piece then explodes with a mallet ostinato and then joined with tutti mallets on the theme. Next, after a ritardando, the mallets present a calm thematic rendition supported by gentle effects of the other percussion. It builds to a strong climax and the ostinato returns with the theme to follow. The final section uses imitative devices with the general percussion becoming more active. Until it all leads up to a stirring conclusion.

The score is set up for 2 trumpets, horn, 2 trombones and tuba. The medley includes: “God Of Our Fathers,” “Battle Hymn of the Republic,” and ending with “America.” It captures all the grandeur and majesty one would expect in an arrangement such as this.

The score is set up various woodwinds to supplement the brass arrangement including: “God Of Our Fathers,” “Battle Hymn of the Republic,” and ending with “America.” It captures all the grandeur and majesty one would expect in an arrangement such as this.

(opt parts and percussion)

This piece starts out in a plaintive style in the upper brass and then is responded in like kind by the lower brass. The second section transposes up a step and with more contrapuntal design giving more tension only to settle down to a sense of consolation.