| Instrument | |
|---|---|
| Level | 3 |
| Occasion | |
| Theme | Hallelujah! What A Savior! |
| Writer | |
| Publisher | |
| Copyright | 2016 |
| Key | Ab, Db, Bb |
| Meter | 4-4, 2-4 |
| Idiom | Trumpet solo with CD; piano acc book available. |
| Form | Song (ternary) |
Hallelujah! What A Savior!
$7.95
Related products
-
Holy, Holy, Holy
$3.50This solo with piano is straight forward in design, giving the young player the opportunity to display dynamic and stylistic variety.
-
Sunday School Parade
$4.50The effect of a parade coming and going… using: Jesus Loves The Little Children; Onward Christian Soldiers; I’ve Got the Joy, Joy, Joy
-
What Child Is This?
$4.00This flute solo begins with the piano playing a gentle motif of the theme and then joined in with the solo line playing the theme in a straight forward fashion. The theme is now stated in a modified manner while the soloist exudes a moving obbligato line which adds more excitement to the piece. The piece concludes with the latter section of the first section and then settles into a solemn repose.
-
We Gather Together
$3.50This solo with piano makes a straight forward statement of the tune followed by a contrasting section using a new counter melody. It then returns to the opening theme.
-
My Jesus I Love Thee
$3.50This solo with piano begins with a modified melodic statement. It enters into a second section with simple obligati and then returns to a beginning-like statement and ends with a simple coda.
-
Jesus Loves Me
$4.00This solo with piano is constructed in a rondo form alternating the tunes of Jesus Loves Me, Praise Him All Ye Little Children and Jesus Loves The Little Children. Each section of piece is in a different style thereby giving a great deal of variety technically and musically for the younger player.
-
Jesus Is Tenderly Calling
$4.00An accompanied flute solo which begins with a piano introduction and then presents a modified melody with an extended cadence in the piano. A modulation occurs where the solo line presents a new theme built off from the orinigal theme with another modulation lifting the tonality to a higher reference and then ends with a solemn motive.
