| Instrument | |
|---|---|
| Level | 5 |
| Preview | |
| Occasion | |
| Tune Name | |
| Theme | Hallelujah Chorus |
| Hymn First Line | Hallelujah! Hallelujah! |
| Writer | |
| Composer | |
| Publisher | |
| Copyright | 1995 |
| Key | D |
| Meter | 4-4 |
| Idiom | Brass sextet |
| Form | Song (ternary) |
| Comments | 3 tpts, 2 tbns, baritone/tuba |
Hallelujah
$17.00
3 tpts, 2 tbns, baritone/tuba
Related products
-
-
America, the Beautiful
$14.95A woodwind sextet with standard quintet instrumentation only with two flutes. The piece is structured around the simple tune and is passed around through the various instruments all the while supported with moving parts by the remaining instruments The counterpoint is solid throughout and makes for a very reflective ensemble rendition.
-
Alleluia!
$12.00Scored for various mallet instruments as well as general percussion. The piece begins with tutti percusion overlayed with vocal narrations giving a dramatic effect. The piece then explodes with a mallet ostinato and then joined with tutti mallets on the theme. Next, after a ritardando, the mallets present a calm thematic rendition supported by gentle effects of the other percussion. It builds to a strong climax and the ostinato returns with the theme to follow. The final section uses imitative devices with the general percussion becoming more active. Until it all leads up to a stirring conclusion.
-
Festival of Carols
$11.00Scored for 2 trumpets, horn, trombone, baritone and tuba this medley is a celebration of Christmas. Included are “Joy To The World,” “Angels We Have Heard On High,” “Silent Night,” and “O Come, All Ye Faithful.”
-
-
Pilgrim Medley
$12.00A brass sextet with opt. parts for flugelhorn and BHTC. The beginning introduces stacked motives building to full chords. Following is a rendition of “When I Can Read My Title Clear” with melody broken down into fragments passed around to the various instruments. After key changes the quintet presents “I Am Bound For The Promised Land” in much the same fabric of the earlier section. After a brief transition in a new key we find “Just Over In The Glory Land” in a more flowing style than the earlier tunes. The Coda section becomes my rhythmically active where it ends on a solid chord .
