This solo with piano begins with a simple statement of the tune with a middle section that uses motivic design, only to return to the opening statement.
Although the melody is gently modified, this solo with piano displays both a sensitivity along with an elevated soaring quality expressing the need for divine interaction on the part of humanity.
An accompanied flute solo which begins with a piano introduction and then presents a modified melody with an extended cadence in the piano. A modulation occurs where the solo line presents a new theme built off from the orinigal theme with another modulation lifting the tonality to a higher reference and then ends with a solemn motive.
This solo with piano begins with the strains of a lion’s roar. Next enters Daniel in a simple fashion followed by a statement in a triumphal march. The lions return-Daniel prevails.
This solo with piano makes a straight forward statement of the tune followed by a contrasting section using a new counter melody. It then returns to the opening theme.
This solo with piano is structured in a quasi-rondo form. Thus making a great deal of variety in texture, style, and dynamic. It will make the young performer sound more advanced.