| Instrument | |
|---|---|
| Level | 4 |
| Preview | |
| Occasion | |
| Theme | Good King Wenceslas |
| Writer | |
| Publisher | |
| Copyright | 1997 |
| Key | Bb, Eb |
| Meter | 4-4, 5-4, 3-4 |
| Idiom | Brass sextet |
| Form | Song (ternary) |
| Comments | 3 tpts, 2 tbns, baritone/tuba |
Good King Wenceslas
$17.00
3 tpts, 2 tbns, baritone/tuba
Related products
-
-
Praise Medley
$12.00(3-tp, 3-trb, opt hn, bar, tba): To God Be the Glory; I Will Praise Him; Holy, Holy, Holy; Come Christians Join to Sing
-
How Can I Fear?
$11.00This piece starts out in a plaintive style in the upper brass and then is responded in like kind by the lower brass. The second section transposes up a step and with more contrapuntal design giving more tension only to settle down to a sense of consolation.
-
Power Medley
$11.00This brass sextet is a medley including I Sing The Mighty Power Of God; All Hail The Power; Power In The Blood; and, A Mighty Fortress. It begins with a full ensemble fanfare in a regal fashion breaking into the first theme. It continues in this fashion until a stately rendition of A Mighty Fortress with an answer in a smoothly, reflective style. It ends in an ambitious fanfare much the way it begins.
-
Proclamation Medley
$12.00A brass sextet with opt. parts for flugelhorn and BHTC. The beginning presents a vigorous fanfare where it settles down into solemn rendition of “We’ve A Story To Tell To The Nations.” After a modulation the piece continues with “I Love To Tell The Story” with more open scoring passing the tune around amongst the parts. Another modulation, another tune- this time “Send The Light” in a march style giving purpose. Another modulation leading into “Since I Have Been Redeemed” in the upper parts, only to be followed with the theme in the lower voices. Then after a sequence of cascading entrance the piece concludes on a resounding sense of resolve.
-
Protection Medley
$12.00A brass sextet with opt. parts for flugelhorn and BHTC. The beginning presents a vigorous fanfare where it settles down into solemn rendition of “Leaning On The Everlasting Arms.” After a motivic transition the piece continues with a tuba solo “A Shelter In The Time Of Storm”. with more open scoring passing the tune around amongst the parts. Another modulation, another tune- this time “The Solid Rock” in a slower tempo giving resolve and purpose. The Coda is in a fanfare stance gaining more power leading up to the final chord.
-
Jonah
$12.00A brass sextet scored for two trumpets, horn, trombone, baritone and tuba (and opt. trp for horn). The style is a takeoff of traditional naval tunes. The first section presents the tune in a jovial manner with interludes by the upper brass and continues with motives passed around the various voices. A modulation takes place with thematic material in the lower brass. Now, little snippets of patterns passed around until another modulation leading to material like the beginning. Then a playful exchange of lines leading up to a final kicker.









