This solo with piano begins with a modified melodic statement. It enters into a second section with simple obligati and then returns to a beginning-like statement and ends with a simple coda.
A solo instrument with piano accompaniment? Can an arrangement capture the essence of the original with the majesty of full chorus and orchestra? This piece really does- it is amazingly complete!
This solo with piano begins with a simple statement of the tune with a middle section that uses motivic design, only to return to the opening statement.
Although the melody is gently modified, this solo with piano displays both a sensitivity along with an elevated soaring quality expressing the need for divine interaction on the part of humanity.
This piece would serve well as a meditation. Beginning with a quiet Celtic lilt, the center section is stronger and bolder. After several bell effects, the piece returns to the mood of the beginning.
This flute solo begins with the piano playing a gentle motif of the theme and then joined in with the solo line playing the theme in a straight forward fashion. The theme is now stated in a modified manner while the soloist exudes a moving obbligato line which adds more excitement to the piece. The piece concludes with the latter section of the first section and then settles into a solemn repose.