This solo with piano begins with a bold march statement with an elongated rhythm of the melody. The middle section is more expressive while the final section imitates the beginning, with a solid statement of faith.
Taken from the “Messiah”, this solo with piano is essentially a transcription of the original work. The balance in the writing between the solo and the accompaniment gives way to the sensitivity of the text of this well-know aria..
This solo is technically demanding while depicting the content of its title. While it is a provocative title with soul-searching implications, the results of its message produces a great deal of joy- salvation! The themes and embellishments presented here certainly enhances the joyous conclusion of such a concept and then moves to a rather solemn reflection of the wonder of it all.
This bubbly rendition of “Come Thou Fount” is effervescent from beginning to end. It is filled with movement and excitement expressing intense joy throughout.
This solo with piano is constructed in a rondo form alternating the tunes of Jesus Loves Me, Praise Him All Ye Little Children and Jesus Loves The Little Children. Each section of piece is in a different style thereby giving a great deal of variety technically and musically for the younger player.
Although the melody is gently modified, this solo with piano displays both a sensitivity along with an elevated soaring quality expressing the need for divine interaction on the part of humanity.