| Instrument | |
|---|---|
| Level | 3 |
| Occasion | |
| Writer | |
| Publisher |
Creative Carols For Woodwind Trio Vol. I- Book
$59.99
5 Carols- All of these pieces can be accompanied by piano, rhythm section, or recorded rhythm tracks.
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Praise Him, Praise Him (unacc)
$7.00A woodwind trio for flute; unaccompanied. Like a stately march the introduction uses a motif gravitating through several harmonic changes giving way to a modified thematic presentation with all three parts being in active counterpoint,and the tune passed about all the parts. The tune then moves about in a hocket fashion keeping all parts busy. The final section is somewhat in keeping with the first section coming to a solid “Praise Him” conclusion.
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Redeemed (unacc)
$7.00A flute trio that expresses the joy of redemption through melodic embellishment, some trills, and harmonic changes. The hymn tune, “Redeemed”, is passed around amongst the parts of this unaccompanied trio.
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As The Deer
$8.50This clarinet arrangement of As The Deer is a gentle interplay of parts and gives the sensation of a constant flowing steam of water that offers a background for quiet reflection.
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Victory Through Grace
$7.00An unaccompanied saxophone trio for three altos (and optional tenor sax) part. The introduction is based on a exuberant motive that leads into the first section which is a straight-forward melody with straight-forward harmonic support. This leads into the next section which gravitates to a different meter as well as key. The parts interplay giving a sense of constant movement. Another modulation takes place and the mood is one of victory and solidification. This continues until a triumphant motive of celebration and victory.
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Power in the Blood (acc)
$8.00This flute trio with piano accompaniment is presented in a solid, determined manner. It makes a definitive statement in the “Power in the Blood” of Christ. The middle section changes meter while maintaining the character of the opening.
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The Love Of God
$8.00This trio begins with a simple rendition of the melody supported by the lower voices and then goes into light imitation of the melodic motifs. The second statement passes the tune around the parts with brief embellishment by the remaining parts and then concludes on a strong chord with piano under-pining.
