| Instrument | |
|---|---|
| Level | 3 |
| Recording | |
| Occasion | |
| Theme | Come Ye Disconsolate |
| Writer | |
| Publisher | |
| Copyright | 2021 |
| Duration | 5'35" |
| Idiom | Brass quintet |
| Comments | Come Ye Disconsolate |
Consolation (Come Ye Disconsolatee)
$29.95
In the first chapter of Mark’s Gospel, we read an amazing story of many people who were physically and mentally ill being brought to Jesus to be healed. This drew the attention of the entire village who came out to witness Jesus and left amazed at what they saw. Covid 19 has caused many to be both physically and mentally ill, requiring healing.
This meditation seeks to portray, through music, this coming to Jesus to be healed, using this hymn by Thomas Moore (1779-1852):
Related products
-
-
-
Count Your Blessings
$9.00Be ye thankful! Written for standard woodwind quintet with optional parts, this piece is highly decorated melodically and active rhythmically. It gives both the sense of majesty and joy.
-
How Firm A Foundation
$12.00Opening with a fanfare, the first section is in block harmonization with some moving lines. It then moves into melodic statements in the lower instruments with supported obiligatti in the trumpets and horn. The structure again becomes solid in scoring only to return with similar trumpet obbligati. The obbligati is next introduced in the lower voices and then increased rhythmic activity in all voices builds to a solid ending.
-
-
Blessed Assurance
$9.00This woodwind quintet (with opt. parts) is constantly on the move. While the melodic material is always made aware, the accompanying parts are full of movement. Even with metrical changes there is a constant flow giving a sense confidence and resolve. It bubbles from beginning to end and finally makes a solid statement of assurance.
-
Christmas for WW
$9.00(std+ opt)(opt quartet) Joy To The World; God Rest Ye Merry Gentlmn; Angels We Have Heard On High; O Little Town Of Bethlehem
-
Look And Live
$12.00A traditional brass quintet with opt. trumpet for horn and extra baritone for use as a sextet. The introduction uses extraneous material where it leads in the first theme in the French horn, supplemented by trombone counterlines and trumpet flourishes. Thematic movies are then embellished leading up to a modulation where the tempo slows and a new mood encountered. The first trumpet carries the lead and offset with a horn duet line. Another modulation, an a-tempo with the theme in the low brass and accompaniment lines in the middle brass. This continues until the voices stack up until a boisterous conclusion is achieved.
