| Instrument | |
|---|---|
| Level | 3 |
| Occasion | |
| Tune Name | |
| Theme | Beneath The Cross Of Jesus |
| Hymn First Line | Beneath the cross of Jesus I fain would take my stand |
| Writer | |
| Composer | |
| Publisher | |
| Copyright | 1994 |
| Key | C, D |
| Meter | 4-4 |
| Idiom | Flute trio with piano |
| Form | Song (binary) |
Beneath The Cross Of Jesus
$9.95
Flute trios 1,2, fl, 3rd fl/clar; (acc)
Related products
-
Power in the Blood (acc)
$8.00This flute trio with piano accompaniment is presented in a solid, determined manner. It makes a definitive statement in the “Power in the Blood” of Christ. The middle section changes meter while maintaining the character of the opening.
-
The Love Of God
$8.00This trio begins with a simple rendition of the melody supported by the lower voices and then goes into light imitation of the melodic motifs. The second statement passes the tune around the parts with brief embellishment by the remaining parts and then concludes on a strong chord with piano under-pining.
-
Away In A Manger (acc)
$8.00For three like instruments, accompanied by piano, the piece is largely homophonic in nature. There are various phrases that are rhythmically altered for interest-active, yet sublime.
-
-
A Servant’s Heart
$8.50A saxophone trio with piano accompaniment that is gentle smoothly moving that carries a lyrical flavor throughout. On occasion there are brief alterations of the melody to add variety and movement. A good piece for tender moments.
-
Redeemed
$7.00A clarinet trio that expresses the joy of redemption through melodic embellishment, some trills, and harmonic changes. The hymn tune, “Redeemed”, is passed around amongst the parts of this unaccompanied trio.
-
Away In A Manger
$8.00For three like instruments, accompanied by piano, the piece is largely homophonic in nature. There are various phrases that are rhythmically altered for interest-active, yet sublime. (Sub Tenor sax for 3rd Alto)
-
Praise Him, Praise Him (unacc)
$7.00A woodwind trio for flute; unaccompanied. Like a stately march the introduction uses a motif gravitating through several harmonic changes giving way to a modified thematic presentation with all three parts being in active counterpoint,and the tune passed about all the parts. The tune then moves about in a hocket fashion keeping all parts busy. The final section is somewhat in keeping with the first section coming to a solid “Praise Him” conclusion.
