| Instrument | |
|---|---|
| Level | 4.5 |
| Occasion | |
| Tune Name | |
| Theme | Be Still, My Soul (Sibellius) |
| Hymn First Line | Be still, my soul! The Lord is on thy side |
| Writer | |
| Composer | |
| Publisher | |
| Copyright | 1998 |
| Key | Eb, C |
| Meter | 2-2, 6-8, 3-4, 3-8 |
| Idiom | Fl., Ob., Clar., Hn., Bssn. |
| Form | Song (binary) |
Be Still, My Soul (Sibellius)
$14.95
Related products
-
-
Like A River Glorious
$12.00This quintet (opt. Sextet) begins with extraneous motifs leading into the first statement of the theme in the low brass offset by answering material in the trumpets. The pieces continues in this question and answer texture passing motivic material around the parts. Then in a transition mimicking the beginning a modulation takes place where the theme is more expressive and becomes more aggressive leading up to a majestic coda where it ends on a thought-provoking conclusion.
-
A New Name In Glory
$9.00A brass quintet with opt. Trumpet for horn and baritone TC. It begins with fanfare motifs of the tune and then breaks into the hymn adding more parts as it progresses. It continues with a Q&A type of dialog between the lower, then upper voices. The second setion in a different key is reminiscent of the opening only this time in the middle voices and again moves in a Q&A type of dialog. Again modulating to a new key the theme is bounced around with rhythmical interest only to finalize in strong chordal patterns and ending on a bold declamation.
-
Christmas for WW
$9.00(std+ opt)(opt quartet) Joy To The World; God Rest Ye Merry Gentlmn; Angels We Have Heard On High; O Little Town Of Bethlehem
-
Old Time Religion
$12.00A traditional brass quintet with an optional baritone part which allows to be a sextet as well. The beginning is active establishing a happy beginning to the piece. Then all the parts are in straight harmonies and then become fragmented. A modulation takes place allowing the lower voices to carry the tune. Then a tuba sola solo commences with light upper parts decorating the lines, until the parts fragment. This concludes with a modulation with motivic statements. After a brief intermission the piece takes off again with the tune in the lower voices and the trumpets add a flurry descants. As the piece comes to a close more and more voices add to the mix until the pieces adds a solid, grand statement.
-
-
Christ Arose
$12.00Scored for traditional brass quintet, an optional bartione part can be used to expand the piece to a sextet. After an opening upper brass fanfare, the lower parts present the theme in solemn fashion with further extended fanfares from the upper lines. The middle section reverses the stylistic assignments only to be given back to the opening styles. The with a powerful stacking of parts the piece concludes in a triumphant chord.
-
