Instrument | |
---|---|
Level | 3 |
Theme | Christian We Have Met To Worship, Gospel Medley, In The Garden/What A Friend, Jesus Paid It All/Of Sacred Head, Now Thank We Now/Let All Things Now Living, Sacred Harp Medley, Sing We Now of Christmas/Ged Rest Ye Merry Gentelmen, The Water Is Wide |
Writer | |
Publisher | |
Copyright | 2013 |
Idiom | Alto sax and piano |

Alto Saxophone Solos for Worship, Vol. 2
$32.95
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Hallelujah! What A Saviour!
This solo with piano follows a simple theme and variation form. It gives the young soloist the opportunity to play many styles in a short framework.
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Hallelujah Chorus
A solo instrument with piano accompaniment? Can an arrangement capture the essence of the original with the majesty of full chorus and orchestra? This piece really does- it is amazingly complete!
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Are You Washed In The Blood
This solo is technically demanding while depicting the content of its title. While it is a provocative title with soul-searching implications, the results of its message produces a great deal of joy- salvation! The themes and embellishments presented here certainly enhances the joyous conclusion of such a concept and then moves to a rather solemn reflection of the wonder of it all.
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Jesus Loves Me
This solo with piano is constructed in a rondo form alternating the tunes of Jesus Loves Me, Praise Him All Ye Little Children and Jesus Loves The Little Children. Each section of piece is in a different style thereby giving a great deal of variety technically and musically for the younger player.
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Jesus Is Tenderly Calling
An accompanied flute solo which begins with a piano introduction and then presents a modified melody with an extended cadence in the piano. A modulation occurs where the solo line presents a new theme built off from the orinigal theme with another modulation lifting the tonality to a higher reference and then ends with a solemn motive.
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My Jesus I Love Thee
This solo with piano begins with a modified melodic statement. It enters into a second section with simple obligati and then returns to a beginning-like statement and ends with a simple coda.
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Away In A Manger
This solo with piano begins with the portrayal of a pastoral setting. The arrangement incorporates both “Flow Gently Sweet Afton” and “Luther’s Hymn”.
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O The Deep Deep Love Of Jesus
This piece would serve well as a meditation. Beginning with a quiet Celtic lilt, the center section is stronger and bolder. After several bell effects, the piece returns to the mood of the beginning.