This arrangement was created for many instrumental combinations in the Rich Heffler tradition. Rich is an arranger for the U.S. Marine Band and creates ensembles that include some classical traditions as part of the setting. Different instruments c

Another Rich Heffler arrangement performed at the National Conventions of the CIDA (Christian Instrumentalists and Directors Association). Rich is an official arranger for the US Marine Band, and this setting shows his mastery of including classical

Medley in a fugue style. All three parts of equal difficulty, and no part dominates the other. Professionals love this style.

A classical minuet-style arrangement in the Mozart/Haydn tradition, this arrangement is flexible enough to be played also as a mixed instrumental ensemble using the substitute parts.

Rich Heffler wrote this trio so he would have a piece that would work with any 3 woodwind instruments, or hugh conglomerations of woodwinds at National Music Conferences. His ideas has been tested, and it works. In your church or school ensembles, yo

fl, 2 cl

A moderately difficult wood trio which features the scoring of a flute and two clarinets with no piano accompaniment. The clarinets begin the piece establishing the style- waltz like, and then joined by the flute as a solo. The second section is embellished by more active movement and then altered to a flute-clarinet duet. After a brief intermission of expression, the piece goes back to the earlier format and then concludes with a brief statement of the title.

(in manuscript at this time)(3/4 flutes w/piano, opt. cello)

Crosby & Sweeney

The piece begins with an arpeggiated paino (alla harp) and then joined by tutti flutes. The theme is stated in the fashion unilt it breaks into a flute trio harmonization, with more vigor. The piece gravitates to a new key where any of the parts can serve as the soloist. The final section is stronger and again uses the benefit of the flute trio harmonies. It progresses to a gentle and quiet repose as if in a pastorale setting.