A collection for viola and piano including arrangements on “Infant Holy, Infant Lowly,” ” O Hearken Ye,” and “Silent Night, Holy Night.” A set of solos that range from vigorous to solemn. With the ornamentation involved it lends a real opportunity for real artistry.

A collection for viola and piano including arrangements on “Once In Royal David’s City,” “Of The Father’s Love Begotten,” and “Away In A Manger.” These solos offer the player a chance for some real expressive playing as well as so flair as well.. A good balance of arrangements.

A collection for violin and piano including arrangements on “I Heard The Bells On Christmas Day,” O Come, O Come Immanuel,” and “Infant Holy, Infant Lowly.” These solos offer a good deal of flair for the more accomplished performer and offer a delightful experience for the listener as well.

A collection for violin and piano including arrangements on “Angels We Have Heard On High,” ” O Little Town Of Bethlehem,” and “Once in Royal David’s City.” These are vigorous solos using various string technics giving rise to exciting performance. These are also complimented by sensitive material as well.

A collection for violin and piano including arrangements on “I Gave My ife For Thee,” ” Jesus Is All The World To Me,” and “Take The World But Give Me Jesus.” These are sensitively arranged solos with enough embellishment to make them interesting- supported by moving accompaniment lines.

A collection for violin and piano including arrangements on “Turn Your Eyes Upon Jesus,” “All That Thrills My Soul Is Jesus,” and “Now I Belong To Jesus.” These are sensitively arranged solos with enough embellishment to make them interesting- supported by moving accompaniment lines.

A violin solo with piano accompaniment begins with a reflective motif. The violin makes an initial statement of the theme incorporating many double stops for harmonic and colorful shadings, all the while the accompaniment supports with choral movement. The piece comes to a repose where it allows the soloist to execute a cadenza section displaying multiple stops and melodic alterations. A modulation takes place where the piece becomes increasingly expressive. The piece becomes more plaintive and then with a mute added the piece comes to complete rest.

A violin solo with piano accompaniment begins with a reflective motif. The soloist then presents itself in the upper register of the instrument, although in a rather plaintive fashion. The second section augments itself with extended rhythms and gentle runs. A brief modulation moves to the middle range of the violin along with melodic embellishments where it settles into an elevated conclusion.

A violin solo with piano accompaniment begins in a reflective mood giving way to the tune in the upper register of the violin. An abrupt modulation an upward key where the solo drops to a lower octave and the piano presents itself in a more agitated manner. The theme ends up back in a higher register where the piano gives continual arpeggiated motion where it all comes to a sublime conclusion.

A violin solo with piano accompaniment begins in a reflective mood joined by the soloist in a plaintive statement of the melody. Then up the octave with a vigorous accompaniment giving a sense of urgency takes place. The second section gives way to the tune in the piano while the solo gives movement with a moving obbligato. This all comes to a point of repose and then gravitates to a statement of the introduction in the piano.