acc.

This quartet starts out with imitative voicing and then yieilds to a cello solo line. After a brief transition to a new key the lower voices give way to melodic material only to be answered by the violins in duet form. The third section features the first violin with light accompaniment in the lower voices and then explodes to a sense of finality. Then, rests in a sense of submission.

For string quartet with optional third violin begins with straight-forward harmonizations give a peaceful introduction. The second section is presented melodically in the inner voices while the outer voices enhance the lines with punctuation motives. The middle section of this composition is more active, even while being in a minor mode and using more altered harmonies. The final section goes back to the major and is more relaxed and peaceful and ends in a gentle repose.

Vitality is the word that describes the activity of the string quartet in the whole opening section. It then moves to expressive, imitative devices in the middle section where it leads to a finale even more vigorous than the beginning.

For string quartet with optional third violin the piece opens with mutiple entrances and alternates between those devices with more solidly scored, traditional material. Simpe. Rich. Meaningful.

This string quartet with piano begins with lush contrapuntal movement. As the piece progresses it moves between the quartet and the piano while finally unifying the total ensemble for deliberate and conclusive resolution of the theme.

(vln III/vla)

Traditional string quartet with opt. violin part for viola. The introduction begins in a somewhat solemn nature, building in tension and then in repose where it introduces the hymn “Savior Like A Shepherd Lead Us.” The texture is in a traditional harmonization with the tune in the first violin where it gives over to the cello on the chorus with gentle punctuations in the upper voices. An imitative motif serves as a transition progresses leading into “He Leadeth Me” with the tune in the cello. The violin takes over with a modified tune and then in a fughetta-like series of entrances leads into a modulation where the cello expresses the tune with the upper voices accompanying with moving rhythms. The tune of “All The Way My Savior Leads Me” is presented by the viola with a violin obbligato overhead leading into a full ensemble with rich and moving harmonies. A change of meters gives way to a change of counterpoint and “God Leads Us Along.” Here, it moves amongst the various parts and gives way to sweet release.