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Praise Medley
(3-tp, 3-trb, opt hn, bar, tba): To God Be the Glory; I Will Praise Him; Holy, Holy, Holy; Come Christians Join to Sing
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Power Medley
This brass sextet is a medley including I Sing The Mighty Power Of God; All Hail The Power; Power In The Blood; and, A Mighty Fortress. It begins with a full ensemble fanfare in a regal fashion breaking into the first theme. It continues in this fashion until a stately rendition of A Mighty Fortress with an answer in a smoothly, reflective style. It ends in an ambitious fanfare much the way it begins.
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Pilgrim Medley
A brass sextet with opt. parts for flugelhorn and BHTC. The beginning introduces stacked motives building to full chords. Following is a rendition of “When I Can Read My Title Clear” with melody broken down into fragments passed around to the various instruments. After key changes the quintet presents “I Am Bound For The Promised Land” in much the same fabric of the earlier section. After a brief transition in a new key we find “Just Over In The Glory Land” in a more flowing style than the earlier tunes. The Coda section becomes my rhythmically active where it ends on a solid chord .
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Proclamation Medley
A brass sextet with opt. parts for flugelhorn and BHTC. The beginning presents a vigorous fanfare where it settles down into solemn rendition of “We’ve A Story To Tell To The Nations.” After a modulation the piece continues with “I Love To Tell The Story” with more open scoring passing the tune around amongst the parts. Another modulation, another tune- this time “Send The Light” in a march style giving purpose. Another modulation leading into “Since I Have Been Redeemed” in the upper parts, only to be followed with the theme in the lower voices. Then after a sequence of cascading entrance the piece concludes on a resounding sense of resolve.
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Jonah
A brass sextet scored for two trumpets, horn, trombone, baritone and tuba (and opt. trp for horn). The style is a takeoff of traditional naval tunes. The first section presents the tune in a jovial manner with interludes by the upper brass and continues with motives passed around the various voices. A modulation takes place with thematic material in the lower brass. Now, little snippets of patterns passed around until another modulation leading to material like the beginning. Then a playful exchange of lines leading up to a final kicker.
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Patriot’s Medley (Woodwind Supplement)
The score is set up various woodwinds to supplement the brass arrangement including: “God Of Our Fathers,” “Battle Hymn of the Republic,” and ending with “America.” It captures all the grandeur and majesty one would expect in an arrangement such as this.
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Patriot’s Medley
The score is set up for 2 trumpets, horn, 2 trombones and tuba. The medley includes: “God Of Our Fathers,” “Battle Hymn of the Republic,” and ending with “America.” It captures all the grandeur and majesty one would expect in an arrangement such as this.
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How Can I Fear?
This piece starts out in a plaintive style in the upper brass and then is responded in like kind by the lower brass. The second section transposes up a step and with more contrapuntal design giving more tension only to settle down to a sense of consolation.
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A Servant’s Heart
A brass quintet, optionally sextet, begins with a soulful trombone solo joined with the remainder of the lower brass instrument only to be taken over by the trumpets. The middle section uses a punctuated accompaniment for nice variety only to migrate to the flowing style of the beginning. It then ends in solemn repose.