-
-
-
They’ll Know We Are Christians By Our Love
Back in the 1970’s this was the “most popular” Christian song with young people, as it expressed the true meaning of the Christian lifestyle. Written in a “rhapsodic” style with free treated variations, including 5/4 and 6/8 times, along with very unusual rhythmic counterpoint, this creative work will be a highlight with audiences and performers!
-
-
-
Battle Victorious
Written in the traditional sonata form this tone poem depicts the spiritual battle of the Christian against the powers of evil. The first theme of Sound The Battle Cry serves as a call to arms. The second theme shows preparation by way of the cross with Lead Me To Calvary. Suddenly, the Development section thrusts the themes into battle using devices such as the fugue, stretti, imitation, inversion, and augmentation. As with the promised victory, the themes reappear together in a glorious Recapitulation. Eph. 6:11.
-
-
-
Journey of the Wise Men
Based on the familiar carol We Three Kings Of Orient Are, this tone poem depicts the long journey of the wise men from the east, over mountains and desert until the star brings them to the Christ-child, where they worship Him. The unique motivic development wonderfully portrays this journey with the quiet ending depicting their awe.
-
-
-
Christmas Chorale Prelude & Fugue
Written in a chorale fugue style (alla J.S. Bach), this two-part work is based on the old Scandinavian carol How Brightly Shines The Morning Star. The first section features the woodwinds with an interesting obligato over the brass theme. The entire fugue section is built over the augmented bass theme, making this a true “chorale fugue.”
-
-
-
Portrait On The Birth of Christ
A free styled tone poem that opens with many percussion statements including mallets. The central section is a chorale-antiphonal styled section based on Bach’s Puer natus in Bethlehem. The third section has a highly imitative counterpoint building in excitement proclaiming the Savior’s birth.
-
-
-
A Messiah Suite
(in manuscript at this time)A true transcription in four movements with key adjustments to fit the band idiom. Included are: Glory To God, Pastoral Symphony, With His Stripes We Are Healed, and And The Glory Of The Lord. A true transcription in four movements with key adjustments to fit the band idiom. Included are: Glory To God, Pastoral Symphony, With His Stripes We Are Healed, and And The Glory Of The Lord.
-
-
-
Psalm 47
A fantasia depicting the joy and praise experienced in this scriptural text. It opens with a brass fanfare leading into a narrative and response (both spoken) followed by an ABA development into the main theme. Harmonically, open 4ths and 5ths exist while rhythms of three against two comprise the development section. There are metrical changes and some solo work. An original composition.
-
-