A collection for violin and piano including arrangements on “I Wonder As I Wander,” ” Away In A Manger,” and “What Child Is This.” These are sensitively arranged solos with enough embellishment to make them interesting- supported by moving accompaniment lines.

A collection for violin and piano including arrangements on “Immortal, Invisible,” “Jesus, I Am Resting, Resting,” and “I Will Sing Of My Redeemer.” These are sensitively arranged solos with enough embellishment to make them interesting- supported by moving accompaniment lines.

A collection for violin and piano including arrangements on “I Gave My ife For Thee,” ” Jesus Is All The World To Me,” and “Take The World But Give Me Jesus.” These are sensitively arranged solos with enough embellishment to make them interesting- supported by moving accompaniment lines.

A violin solo with piano accompaniment begins with a reflective motif. The violin makes an initial statement of the theme incorporating many double stops for harmonic and colorful shadings, all the while the accompaniment supporting with almost harp-like motions. This leads into an exuberant display of movement and bowing technics The second section continues in much the same manner all the while giving a serene sense until the piece comes to complete rest.

A violin solo with piano accompaniment begins with a reflective motif. The violin makes an initial statement of the theme incorporating many double stops for harmonic and colorful shadings, all the while the accompaniment supporting with almost harp-like motions. The chorus section drops to a lower range of the instrument while the piano makes florid movements above… A dramatic modulation takes place where the them has simple melodic alterations which later displays the theme in double stop octaves. This continues until the piece becomes dramatic and bold until it comes to an abrupt stop and settles into a state of serenity.

A violin solo with piano accompaniment begins with a reflective motif. The soloist then presents itself in the upper register of the instrument, although in a rather plaintive fashion. The second section augments itself with extended rhythms and gentle runs. A brief modulation moves to the middle range of the violin along with melodic embellishments where it settles into an elevated conclusion.