An accompanied flute solo begins with expressive embellishments, then joined in by the accompaniment using warm harmonies getting a sense of comfort/ The fir theme statement is straightforward in the solo while the accompaniment gives a sense of agitation. The chorus is embellished by various rhythmic figures until it concludes by shifting to a different meter with the piano modifying the tune. Now! Back to the original meter the flute takes over and the piece increases in intensity where the solo embellishes the tune with gracefulness. The piece again shifts meters and expressively takes the piece to a secure sense of peace.

This flute solo begins with the piano using figures that are very harp-like and then joined by the flute in a plaintive manner. It continues in this manner for some time while modulating through various keys. The tune is then embellished with the piano accompanying in a hocket motif. The final section is then presented in a lilting manner with the piano once again acting in a harp fashion. The ending is a final peaceful rendition.

A flute solo that begins with “Flow Gently Sweet Afton” accapella in the lower range of the flute, and is then joined with the piano. It is repeated up the octave with a more involved accompaniment. It modulates and meanwhile shifts to the “Luther’s Hymn” where it remains in a rather simple fashion.

An accompanied flute solo begins with a soulful piano motive and then joined in with the flute in a simplistic thematic statement. The chorus is presented by the flute with a moving piano accompaniment ending in a solemn repose. The next section presents the theme in the piano with the flute overlaying it with a gentle obbligato. The piece ends in further solemnity.