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Holy, Holy, Holy
This solo with piano is straight forward in design, giving the young player the opportunity to display dynamic and stylistic variety.The arrangement is edited with bowing and fingering
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For The Beauty Of The Earth
This solo with piano begins with a simple statement of the tune with a middle section that uses motivic design, only to return to the opening statement.The arrangement is edited with bowing and fingering marks.
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Holy, Holy, Holy
This solo with piano is straight forward in design, giving the young player the opportunity to display dynamic and stylistic variety.The arrangement is edited with bowing and fingering
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For The Beauty Of The Earth
This solo with piano begins with a simple statement of the tune with a middle section that uses motivic design, only to return to the opening statement.The arrangement is edited with bowing and fingering marks.
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Holy, Holy, Holy
This solo with piano is straight forward in design, giving the young player the opportunity to display dynamic and stylistic variety.The arrangement is edited with bowing and fingering
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Jacob’s Dream
A percussion quintet that is accessible for younger players uses several basic instruments. The original melody is present by the bells throughout with various percussive colors by the other instruments. The middle section is a rhythmic break up acting as a contrast to the earlier section. The final section goes back to the design of the first section with more accompanying activity in the non-tonal instruments. The coda section crescendos to an exciting conclusion.
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A Glorious Church
Scored for bells, tambourine, snare drum, tom toms, triangle, tympani, and sus cymbal. The piece incorporates all of the various ensemble colors to introduce the melodic material. After an extensive break up strain, the piece melodicallyconcludes.
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It Is Well With My Soul
A duet for marimba- two players on one instrument. Marimba I plays music in the treble clef, while Marimba II plays music in the bass clef. The first and last sections of the piece are in a solemn style while the middle section moves along at a faster pace. As one would expect most of the notes are played with a tremalo technic and often in duet lines. The middle section is highly arpeggiated in part II. As one would expect the piece is gnerally queit and reflective
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Onward Christian Soldiers
This solo for snare drum and piano follows the format of many of the traditional, classically based snare drum solos with the tune in the keyboard. The piece is exuberant from beginning to end giving a continual sense of praise. The piece exhibit the opportunity for the soloist to use their command of technique.
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Holy, Holy, Holy
This solo with piano is straight forward in design, giving the young player the opportunity to display dynamic and stylistic variety.
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For The Beauty Of The..Earth
This solo with piano begins with a simple statement of the tune with a middle section that uses motivic design, only to return to the opening statement. (bells & sd)
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For The Beauty Of The Earth
This solo with piano begins with a simple statement of the tune with a middle section that uses motivic design, only to return to the opening statement.
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Holy, Holy, Holy
This solo with piano is straight forward in design, giving the young player the opportunity to display dynamic and stylistic variety.
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For The Beauty Of The Earth
This solo with piano begins with a simple statement of the tune with a middle section that uses motivic design, only to return to the opening statement.
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Holy, Holy, Holy
This solo with piano is straight forward in design, giving the young player the opportunity to display dynamic and stylistic variety.
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For The Beauty Of The Earth
This solo with piano begins with a simple statement of the tune with a middle section that uses motivic design, only to return to the opening statement.
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Holy, Holy, Holy
This solo with piano is straight forward in design, giving the young player the opportunity to display dynamic and stylistic variety.
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For The Beauty Of The Earth
This solo with piano begins with a simple statement of the tune with a middle section that uses motivic design, only to return to the opening statement.
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Holy, Holy, Holy
This solo with piano is straight forward in design, giving the young player the opportunity to display dynamic and stylistic variety.
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For The Beauty Of The Earth
This solo with piano begins with a simple statement of the tune with a middle section that uses motivic design, only to return to the opening statement.
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Holy, Holy, Holy
This solo with piano is straight forward in design, giving the young player the opportunity to display dynamic and stylistic variety.
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For The Beauty Of The Earth
This solo with piano begins with a simple statement of the tune with a middle section that uses motivic design, only to return to the opening statement.
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Holy, Holy, Holy
This solo with piano is straight forward in design, giving the young player the opportunity to display dynamic and stylistic variety.
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For The Beauty Of The Earth
This solo with piano begins with a simple statement of the tune with a middle section that uses motivic design, only to return to the opening statement.