-
Sacred Head
This staple hymn of the Chrsitian literature starts out with the woodwinds presenting the theme with subtle splashes of percussive small instruments. The piece explodes into a tutti statement only to fall back into a solemn style in the woodwinds, colored by mallet percussion obligato. After a brief interlude of imitation in the woodwinds the brass take over with an exchange of choral motives. The piece gains strength with a tutti climax and then continues with thematic repetition to further enhance the theme’s importance. The woodwind choir with percussion underpinning makes a solemn statement and then gently settles back to a sense of peace.
-
I Would Not Be Denied
A percussion quintet score for bells, tambourine, snare drum, tom-toms, and bass drum. The theme is presented in the bells- often in duet lines. The other instruments tend to work in tandem as supporting roles using changes in dynamics for interest. There are times when the accompanying parts modify their rhythms so as to not become stagnant. The middle section acts like a break-up strain, much like one would find in a march. The piece finishes with a flourish giving great impact.
-
Hallelujah Side
This solo for snare drum and piano follows the format of many of the traditional, classically based snare drum solos with the tune in the keyboard. The piece is exuberant from beginning to end giving a continual sense of praise.7
-
At The Cross
This is a cello solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
-
At The Cross
This is a violasolo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
-
At The Cross
This is a violin solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
-
At The Cross
This is a mallet solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
-
At The Cross
This is a tuba solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
-
At The Cross
This is a trombone solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
-
At The Cross
This is a horn solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
-
At The Cross
This is a trumpet solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
-
At The Cross
This is a tenor sax solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
-
At The Cross
This is a alto sax solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
-
At The Cross
This is a clarinet solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
-
At The Cross
This is a bassoon solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
-
At The Cross
This is an oboe solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
-
At The Cross
This is a flute solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
-
God Of Our Fathers
For a larger percussion ensemble, this piece is scored for three mallet parts as well as bass percussion instruments and timpani. This rendition gives all the majesty that is generally associated with this great hymn.
-
Hold The Fort
This solo for snare drum and piano follows the format of many of the traditional, classically based snare drum solos with the tune in the keyboard. The piece is exuberant from beginning to end giving a continual sense of praise.
-
Rescue The Perishing
This solo for snare drum and piano follows the format of many of the traditional, classically based snare drum solos with the tune in the keyboard. The piece is exuberant from beginning to end giving a continual sense of joy and satisfaction.
-
O Come, O Come Emmanuel
A solo with piano accompaniment. After a solid introduction the arrangement presents the melody with a simple statement. After several melodic statements the soloist then presents itself with a delightful counterline. It is finalized with declamation.
-
O Come, O Come Emmanuel
A solo with piano accompaniment. After a solid introduction the arrangement presents the melody with a simple statement. After several melodic statements the soloist then presents itself with a delightful counterline. It is finalized with declamation.
-
O Come, O Come Emmanuel
A solo with piano accompaniment. After a solid introduction the arrangement presents the melody with a simple statement. After several melodic statements the soloist then presents itself with a delightful counterline. It is finalized with declamation.
-
O Come, O Come Emmanuel
A solo with piano accompaniment. After a solid introduction the arrangement presents the melody with a simple statement. After several melodic statements the soloist then presents itself with a delightful counterline. It is finalized with declamation.
-
O Come, O Come Emmanuel
A solo with piano accompaniment. After a solid introduction the arrangement presents the melody with a simple statement. After several melodic statements the soloist then presents itself with a delightful counterline. It is finalized with declamation.