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With One Voice: Growing Congregations That Sing
A congregational song leading instruction book at the beginning level- For Everyone! It is designed for the non-music major and includes materials in theory training, counting, conducting beat patterns, suggestions for difficult hymn passages and more…
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Higher Ground
Vitality is the word that describes the activity of the string quartet in the whole opening section. It then moves to expressive, imitative devices in the middle section where it leads to a finale even more vigorous than the beginning.
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There Is A Fountain
Traditionally score string quartet with piano and opt. 3rd vioin.The theme is well distributed between the parts and little motivic devise really enhance the flavor of the writing.The piece is well edited to assist players of all degrees.
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O Love That Will Not Let Me Go
This string quartet with piano begins with lush contrapuntal movement. As the piece progresses it moves between the quartet and the piano while finally unifying the total ensemble for deliberate and conclusive resolution of the theme.
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Near To The Heart Of God (acc)
A string trio with piano that begins with a cello melodic line with imitative lines in the upper parts in a flowing manner. The tune then shifts to the violin supported by the lower voices and then modulates upward where the theme is passed around amongst the parts until it modulates back to the original key where the cello once again becomes the lead voice. The piece ends with a pyramiding motif until it gently concludes in repose. (Op. violin for viola)
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Ivory Palaces
A Cello solo stating the melody in a straight forward fashion with an accompaniment that is gentle and constantly moving. The second section presents the thematic material in the piano with a motivic overlay in the solo line. The final section is fashioned much like the first section The Coda is a gentle motif of the theme ending is a sweet repose.
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Poor Wayfarin’ Stranger
This cello solo is a solemn, expressive piece from beginning to end where the melody is in the solo line. In the middle section the piano presents the tune while the solo line uses the counterline that was used previously by the piano.
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Ivory Palaces
A Viola solo stating the melody in a straight forward fashion with an accompaniment that is gentle and constantly moving. The second section presents the thematic material in the piano with a motivic overlay in the solo line. The final section is fashioned much like the first section The Coda is a gentle motif of the theme ending is a sweet repose.
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Poor Wayfarin’ Stranger
This viola solo is a solemn, expressive piece from beginning to end where the melody is in the solo line. In the middle section the piano presents the tune while the solo line uses the counterline that was used previously by the piano.