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O Sacred Head, Now Wounded
A Rich Heffler Music arrangement. The piano begins the piece with a flowing and tranquil statement. The solo joins in with a gentle fragment further setting up a poignant picture. It then breaks into the tune in a rather matter-of-fact manner and then adds more embellishment as it progresses. The middle section is extended to give a solemn meditative mood and then breaks into more action for contrast. The piece ends with a quiet, slow and determined repose.
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O Sacred Head, Now Wounded
A Rich Heffler Music arrangement. The piano begins the piece with a flowing and tranquil statement. The solo joins in with a gentle fragment further setting up a poignant picture. It then breaks into the tune in a rather matter-of-fact manner and then adds more embellishment as it progresses. The middle section is extended to give a solemn meditative mood and then breaks into more action for contrast. The piece ends with a quiet, slow and determined repose.
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O Sacred Head, Now Wounded
A Rich Heffler Music arrangement. The piano begins the piece with a flowing and tranquil statement. The solo joins in with a gentle fragment further setting up a poignant picture. It then breaks into the tune in a rather matter-of-fact manner and then adds more embellishment as it progresses. The middle section is extended to give a solemn meditative mood and then breaks into more action for contrast. The piece ends with a quiet, slow and determined repose.
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O Sacred Head, Now Wounded
A Rich Heffler Music arrangement. The piano begins the piece with a flowing and tranquil statement. The solo joins in with a gentle fragment further setting up a poignant picture. It then breaks into the tune in a rather matter-of-fact manner and then adds more embellishment as it progresses. The middle section is extended to give a solemn meditative mood and then breaks into more action for contrast. The piece ends with a quiet, slow and determined repose.
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O Sacred Head, Now Wounded
A Rich Heffler Music arrangement. The piano begins the piece with a flowing and tranquil statement. The solo joins in with a gentle fragment further setting up a poignant picture. It then breaks into the tune in a rather matter-of-fact manner and then adds more embellishment as it progresses. The middle section is extended to give a solemn meditative mood and then breaks into more action for contrast. The piece ends with a quiet, slow and determined repose.
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I Will Sing Of My Redeemer
A Rich Heffler Music arrangement. The piece is in Irregular meters throughout. The work is in a continual jovial manner and is a excellent work for the more mature player.
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I Will Sing Of My Redeemer
A Rich Heffler Music arrangement. The piece is in Irregular meters throughout. The work is in a continual jovial manner and is a excellent work for the more mature player.
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I Will Sing Of My Redeemer
A Rich Heffler Music arrangement. The piece is in Irregular meters throughout. The work is in a continual jovial manner and is a excellent work for the more mature player.
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I Will Sing Of My Redeemer
A Rich Heffler Music arrangement. The piece is in Irregular meters throughout. The work is in a continual jovial manner and is a excellent work for the more mature player.
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Jesus Paid It All
A Rich Heffler Music arrangement. The introduction establishes a dirge-like atmosphere joined in by the solo line carrying on the mood. The second section puts the melody in the piano part while solo soars above with a flowing obbligato and then shifts to the melody and concludes with a brief cadenza. The piece concludes with a melodic fragment in the piano and a smooth overflowing obbligato in the solo line
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I Will Sing Of My Redeemer
A Rich Heffler Music arrangement. The piece is in Irregular meters throughout. The work is in a continual jovial manner and is a excellent work for the more mature player.
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A Mighty Fortress Is Our God
Unusual, emotive and restrained version of the Luther classic The introduction in the piano is presented in an embellished fashion. The solo states the theme in a straight-forward manner. After a brief interlude the solo continues in a different register. Another brief interlude and the soloist continue in a more ornamented manner this time. The piano now states the theme in strong block chords while the solo is very active as an obbligato. Both voices present thematic materials taken from the opening sections. The Coda gives a motivic statement of the opening theme and resolves to a solemn end.
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A Mighty Fortress Is Our God
Unusual, emotive and restrained version of the Luther classic The introduction in the piano is presented in an embellished fashion. The solo states the theme in a straight-forward manner. After a brief interlude the solo continues in a different register. Another brief interlude and the soloist continue in a more ornamented manner this time. The piano now states the theme in strong block chords while the solo is very active as an obbligato. Both voices present thematic materials taken from the opening sections. The Coda gives a motivic statement of the opening theme and resolves to a solemn end.
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A Mighty Fortress Is Our God
Unusual, emotive and restrained version of the Luther classic The introduction in the piano is presented in an embellished fashion. The solo states the theme in a straight-forward manner. After a brief interlude the solo continues in a different register. Another brief interlude and the soloist continue in a more ornamented manner this time. The piano now states the theme in strong block chords while the solo is very active as an obbligato. Both voices present thematic materials taken from the opening sections. The Coda gives a motivic statement of the opening theme and resolves to a solemn end.
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A Mighty Fortress Is Our God
Unusual, emotive and restrained version of the Luther classic The introduction in the piano is presented in an embellished fashion. The solo states the theme in a straight-forward manner. After a brief interlude the solo continues in a different register. Another brief interlude and the soloist continue in a more ornamented manner this time. The piano now states the theme in strong block chords while the solo is very active as an obbligato. Both voices present thematic materials taken from the opening sections. The Coda gives a motivic statement of the opening theme and resolves to a solemn end.
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A Mighty Fortress Is Our God
Unusual, emotive and restrained version of the Luther classic The introduction in the piano is presented in an embellished fashion. The solo states the theme in a straight-forward manner. After a brief interlude the solo continues in a different register. Another brief interlude and the soloist continue in a more ornamented manner this time. The piano now states the theme in strong block chords while the solo is very active as an obbligato. Both voices present thematic materials taken from the opening sections. The Coda gives a motivic statement of the opening theme and resolves to a solemn end.
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A Mighty Fortress Is Our God
Unusual, emotive and restrained version of the Luther classic The introduction in the piano is presented in an embellished fashion. The solo states the theme in a straight-forward manner. After a brief interlude the solo continues in a different register. Another brief interlude and the soloist continue in a more ornamented manner this time. The piano now states the theme in strong block chords while the solo is very active as an obbligato. Both voices present thematic materials taken from the opening sections. The Coda gives a motivic statement of the opening theme and resolves to a solemn end.
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A Mighty Fortress Is Our God
Unusual, emotive and restrained version of the Luther classic The introduction in the piano is presented in an embellished fashion. The solo states the theme in a straight-forward manner. After a brief interlude the solo continues in a different register. Another brief interlude and the soloist continue in a more ornamented manner this time. The piano now states the theme in strong block chords while the solo is very active as an obbligato. Both voices present thematic materials taken from the opening sections. The Coda gives a motivic statement of the opening theme and resolves to a solemn end.
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A Mighty Fortress Is Our God
Unusual, emotive and restrained version of the Luther classic The introduction in the piano is presented in an embellished fashion. The solo states the theme in a straight-forward manner. After a brief interlude the solo continues in a different register. Another brief interlude and the soloist continue in a more ornamented manner this time. The piano now states the theme in strong block chords while the solo is very active as an obbligato. Both voices present thematic materials taken from the opening sections. The Coda gives a motivic statement of the opening theme and resolves to a solemn end.
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A Mighty Fortress Is Our God
Unusual, emotive and restrained version of the Luther classic The introduction in the piano is presented in an embellished fashion. The solo states the theme in a straight-forward manner. After a brief interlude the solo continues in a different register. Another brief interlude and the soloist continue in a more ornamented manner this time. The piano now states the theme in strong block chords while the solo is very active as an obbligato. Both voices present thematic materials taken from the opening sections. The Coda gives a motivic statement of the opening theme and resolves to a solemn end.
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Amazing Grace
Moving and affective this solo begins unaccompanied and then later joined by the piano in a Celtic style. A second statement of the tune is further embellished and gains more complexity as it progresses. After a brief modulation the solo line becomes more plaintive- even though still embellished. The Coda is based on a brief motif where it ritards into a gentle repose.