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Simply Garlock
Frank Garlock speaks of his favorite compositions and the technics implemented in creating them.
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In God We Trust (Supplemental String set)
A Patriotic musical with narrators, choir, piano.Or, with band, orchestra and string pack.
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In God We Trust (Sym. Band Parts set)
A Patriotic musical with narrators, choir, piano.Or, with band, orchestra and string pack.
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In God We Trust (Orchestral Parts set)
A Patriotic musical with narrators, choir, piano.Or, with band, orchestra and string pack.
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In God We Trust (Choral Book)
A Patriotic musical with narrators, choir, piano.Or, with band, orchestra and string pack.
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In God We Trust (Rehearsal Score)
A Patriotic musical with narrators, choir, piano.Or, with band, orchestra and string pack.
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In God We Trust (Concert Score)
A Patriotic musical with narrators, choir, piano.Or, with band, orchestra and string pack.
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Rejoice Hymns
Director/Accompanist Spiral Edition cover with over 708 hymns, Gospel songs and choruses including choruses, choral descants and special codas.
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Rejoice Hymns
Majesty Maroon cover with over 708 hymns, Gospel songs and choruses including choruses, choral descants and special codas.
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Rejoice Hymns
Ultramarine Blue cover with over 708 hymns, Gospel songs and choruses including choruses, choral descants and special codas.
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Medley of Christmas Songs
Brass quartet (2 trp, 2 trm, (opt horn and Bar TC): Hark The Herald Angels Sing, Silent Night, Away In A Manger
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Lead Me To Calvary
SMS: Brass quartet for two trumpets and two trombones (opt horn and BHTC) The pieces starts out immediately in the nature of the original hymn in four part harmony. The next section is slower and very expressive with harmonic movement in all the parts, followed by the melody in the lower voices and a counter line in the trumpets. The final section is alla marcia growing to a final codetta that is strong in confidence and then relaxes into repose.
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In The Garden
SMS: Brass quartet for two trumpets and two trombones (opt horn and BHTC) The open passage presents the melodic motif amongst the parts which sets it up for the first presentation of the melody in the trumpets with a gentle contrapuntal fill of the low brass. This continues throughout the entire section. The second section is rich in counterpoint with strong emotion with movement in all parts. The final section is reminiscent of the first which transition to a gentle coda establishing repose.
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