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Were You There?
This solo piece opens with a sense of reverence presenting the melody in a gently modified fashion. The middle section gains intensity rhythmically with a rhapsodic form of theme variations. It continues to elevate only to relax into final peace.
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Were You There?
This solo piece opens with a sense of reverence presenting the melody in a gently modified fashion. The middle section gains intensity rhythmically with a rhapsodic form of theme variations. It continues to elevate only to relax into final peace.
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Were You There?
This solo piece opens with a sense of reverence presenting the melody in a gently modified fashion. The middle section gains intensity rhythmically with a rhapsodic form of theme variations. It continues to elevate only to relax into final peace.
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Were You There?
This solo piece opens with a sense of reverence presenting the melody in a gently modified fashion. The middle section gains intensity rhythmically with a rhapsodic form of theme variations. It continues to elevate only to relax into final peace.
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Were You There?
This solo piece opens with a sense of reverence presenting the melody in a gently modified fashion. The middle section gains intensity rhythmically with a rhapsodic form of theme variations. It continues to elevate only to relax into final peace.
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Were You There?
This solo piece opens with a sense of reverence presenting the melody in a gently modified fashion. The middle section gains intensity rhythmically with a rhapsodic form of theme variations. It continues to elevate only to relax into final peace.
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Were You There?
This solo piece opens with a sense of reverence presenting the melody in a gently modified fashion. The middle section gains intensity rhythmically with a rhapsodic form of theme variations. It continues to elevate only to relax into final peace.
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Were You There?
This solo piece opens with a sense of reverence presenting the melody in a gently modified fashion. The middle section gains intensity rhythmically with a rhapsodic form of theme variations. It continues to elevate only to relax into final peace.
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Were You There?
This solo piece opens with a sense of reverence presenting the melody in a gently modified fashion. The middle section gains intensity rhythmically with a rhapsodic form of theme variations. It continues to elevate only to relax into final peace.
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Be Thou My Vision
A violin solo that presents itself with simplicity with melodic alterations that offers delight.There is a continual contrast between the solo and the accompaniment that adds flavor that will make even the younger player show a sense of advancement.
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I Need Thee Every Hour
Although the melody is gently modified, this solo with piano displays both a sensitivity along with an elevated soaring quality expressing the need for divine interaction on the part of humanity.
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Sound Roots
A Theological perspective as to music…Chapters: Preparation, Principles, Procedure, Poer, Purpose, Conclusion, charts and Scriptural References to Music.
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God Rest Ye Good Christian Men
This brass duet is scored for French horn, Trombone and Piano with optional trumpet for horn and baritone for trombone. While moderately easy it is joyfully colorful in passing the themes between parts and adding splashes of melodic motives as well. The piece uses a lot of imitation and hocket devices to keep the players and listeners all rejoicing.
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There Is A Fountain
Scored for traditional brass quintet with opt. Baritone this arrangement uses many altered devices to hold interest and add variety to a piece that otherwise presents itself as pretty straight-forward.
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Follow On
A flute quartet, with optional 4th part for clarinet, this cheerful rendition just bubbles all over the place. A piccolo solo can be incorporated in an Alla Sousa fashion if desired.
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My Faith Has Found A Resting Place
Scored for 2 trumpets, horn, trombone and piano the piece begins with a gentle expression only to be met with a more active exuberance. It then quiets and then comes to a gentle repose.
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Brethren We Have Met To Worship
For traditional woodwind quintet scoring with optional alto sax and bass clarinet parts, this piece begins in a plaintive fashion moving toward a central, Celtic flavor–returning to the opening mood. optional parts: ASax for Horn and BCl for Bssn.
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America, America
This brass quintet with piano can also be used as a sextet with the optional parts. It is presented in a march style incorporating “My Country Tis Of Thee,” and “America The Beautiful”. The piece is of moderate difficulty but because of the way the scoring passes the parts around there is a variety of tonal color as well as rhythmic movement.
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We Are More Than Conquerors
This solo with piano is presented in a militaristic venue. The interlude section displays fanfare motifs and then moves back to the opening style. The piece ends in a bold statement of faith-musically.
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We Are More Than Conquerors
This solo with piano is presented in a militaristic venue. The interlude section displays fanfare motifs and then moves back to the opening style. The piece ends in a bold statement of faith-musically.
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We Are More Than Conquerors
This solo with piano is presented in a militaristic venue. The interlude section displays fanfare motifs and then moves back to the opening style. The piece ends in a bold statement of faith-musically.
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We Are More Than Conquerors
This solo with piano is presented in a militaristic venue. The interlude section displays fanfare motifs and then moves back to the opening style. The piece ends in a bold statement of faith-musically.
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We Are More Than Conquerors
A traditional brass quintet with opt. Trp and baritone parts that can be used as a sextet. The piece is straight forward in a block nature giving a sense of boldness.
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The Old Rugged Cross
Opening with a tender, contemplative statement, the embellished medley of this solo presents itself only to soar with a meaningful obbligato line, and then settle back into a sense of assurance that this grand old hymn exemplifies.
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O God Our Help
A brass choir scored for 3 trumpets, 4 horns, 3 trombones and tuba. Beginning in a regal fashion, the opening statement of the theme is solemn, then punctuated with upper brass fanfare figures followed by contrapuntal interest and increased textures.