The introduction is a rousing declamation of a motive from the theme. The theme is presented in tact while the accompaniment supports with a delightful (music-box) movement. The next section is reflective with more counterpoint and then interrupted with a flair of accented variations. The final section concludes with much of the opening flavor and establishes the story with a solid cadence.

This French horn solo opens with a sense of an early morning awakening and then breaks into a gently modified rendition of the tune. The second section becomes more spirited with a sense of expectation and then settles back down into the mood of the opening, only to become enlivened again. The final section recaps the material from earlier sections and then ends with a statement of victory!

After a brief introduction this French horn solo present the tune “as is” while the piano uses two-part imitation lines underneath. The piece progresses with the horn line modifying the tune rhythmically. After a modulation the piano presents the melody in an altered form while the solo has a gentle obligatto. The final section is more punctuated moving to a solemn section of repose.

This violin solo begins with non-thematic material setting up the mood of the piece. The theme is then introduced in a back-and-forth format between the instrument and accompaniment. It then continues with an altered tune and conventional accompaniment in the background. After modulating upward, the piece becomes more active both rhythmically and theme alterations. The extended final section is flowing where it ends with a strong statement. Optionally, this piece can be used a duet).

This French horn solo begins with non-thematic material setting up the mood of the piece. The theme is then introduced in a back-and-forth format between the instrument and accompaniment. It then continues with an altered tune and conventional accompaniment in the background. After modulating upward, the piece becomes more active both rhythmically and theme alterations. The extended final section is flowing where it ends with a strong statement. Optionally, this piece can become a duet with the tenor sax or French horn sets).

This tenor sax solo begins with non-thematic material setting up the mood of the piece. The theme is then introduced in a back-and-forth format between the instrument and accompaniment. It then continues with an altered tune and conventional accompaniment in the background. After modulating upward, the piece becomes more active both rhythmically and theme alterations. The extended final section is flowing where it ends with a strong statement. Optionally, this piece can become a duet with the tenor sax or French horn sets).

This oboe solo begins with non-thematic material setting up the mood of the piece. The theme is then introduced in a back-and-forth format between the instrument and accompaniment. It then continues with an altered tune and conventional accompaniment in the background. After modulating upward, the piece becomes more active both rhythmically and theme alterations. The extended final section is flowing where it ends with a strong statement. Optionally, this piece can be used a duet).