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I Know Whom I Have Believed
A piano introduction begins in a vigorous manner and is then joined with the soloist in a brilliant manner of a decorated melody. Coming to the chorus the solo is more fluid and expressive. After a modulation the soloist is offered an opportunity to express the tune with a great deal of flair. The middle section is slower in a thoughtful presentation. The final section regains the flair of the earlier sections and ends on a final long note of resolve.
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Higher Ground
A rather jovial introduction is begun by the piano and then joined in by the soloist stating the melody’s verse and then the chorus in a modified form. The second verse is presented in a pleasing way underpinned by the piano using a harp-like accompaniment. And once again, the chorus is presented in a even more modified way. The coda section continues with the flavor of the piece in a motivic manner and then arrives to the final destination in repose.
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There Is A Fountain
A solo that starts out with a flourish and continues to bubble its way melodically and with variation. The middle section is a tender reflection of the price paid by Christ for one’s redemption. It then gains anticipation for a strong ending of consecration only to come to a posture of repose.
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My Faith Has Found A Resting Place
This alto sax solo begins with a brief piano introduction and presents the tune in a gently embellished manner that creates interest. After a brief intermission the soloist presents the tune with even more melodic embellishment and ryhthmic activity. Another intermission coupled with a modulation where the piano now carries the tune while the soloist offsets it with a countermelody, The solo line now captures the tune and carries it to the end where it makes a final, restful statement.
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Satisfied
This solo begins with a elegant little motif in the upper register of the piano and then moves downward to a simple accompanying figure. The solo enters in a gentle manner with minor modifications- very much in a restful manner. With an abrupt modulation the tune is modified once more in a different way. After two more modulations in the piano the soloist presents the tune with a more “arpeggiated” way and then settles into a final long note- as if “everything’s okay!”
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What A Friend
This solo begins with a polite introduction and then is joined with the soloist in a gentle alteration of the tune in its entirety. A second verse is modulated upward with the tune with even more variation. After more modulations there is a brief cadenza and then a coda section based on the opening motif of the tune.
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Come Thou Fount
This bubbly rendition of “Come Thou Fount” is effervescent from beginning to end. It is filled with movement and excitement expressing intense joy throughout.
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Are You Washed In The Blood
This solo is technically demanding while depicting the content of its title. While it is a provocative title with soul-searching implications, the results of its message produces a great deal of joy- salvation! The themes and embellishments presented here certainly enhances the joyous conclusion of such a concept and then moves to a rather solemn reflection of the wonder of it all.
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I Need Thee Every Hour
Although the melody is gently modified, this solo with piano displays both a sensitivity along with an elevated soaring quality expressing the need for divine interaction on the part of humanity.
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Hallelujah Chorus
A solo instrument with piano accompaniment? Can an arrangement capture the essence of the original with the majesty of full chorus and orchestra? This piece really does- it is amazingly complete!
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Amazing Grace
This solo opens with a gentle, Celtic fashion in a duple meter. It progresses through a series expressive obbligati giving a sense of elevation. As it nears the end it modulates metrically and harmonically to a triple meter, and then final repose.
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The Cross And Me
This alto sax solo is highly reflective in nature and incorporates the titles of :At The Cross”; “There’s Room At The Cross For Me”; “Beneath The Cross Of Jesus”. The piece is gentle and offers the opportunity far a great deal of expression. While there is embellishment of the lines they are done with taste.
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O The Deep Deep Love Of Jesus
This piece would serve well as a meditation. Beginning with a quiet Celtic lilt, the center section is stronger and bolder. After several bell effects, the piece returns to the mood of the beginning.
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And Can It Be
Scored for three Bb clarinets and bass clarinet, this quartet immediately marches off with the dignity that this grand old hymn portrays. The theme is passed around amongst the various parts to add player satisfaction and joy to the listener.
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Redeemed
A clarinet trio that expresses the joy of redemption through melodic embellishment, some trills, and harmonic changes. The hymn tune, “Redeemed”, is passed around amongst the parts of this unaccompanied trio.
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As The Deer
This clarinet arrangement of As The Deer is a gentle interplay of parts and gives the sensation of a constant flowing steam of water that offers a background for quiet reflection.
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A Servant’s Heart
A clarinet trio with piano accompaniment that is gentle smoothly moving that carries a lyrical flavor throughout. On occasion there are brief alterations of the melody to add variety and movement. A good piece for tender moments.
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The Love Of God
This trio begins with a simple rendition of the melody supported by the lower voices and then goes into light imitation of the melodic motifs. The second statement passes the tune around the parts with brief embellishment by the remaining parts and then concludes on a strong chord with piano under-pining.
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I Know Whom I Have Believed
“I Know Whom I Have Believed” starts out in a manner of joyful confidence. The parts are in basic triadic harmony and then offer solo lines for the various parts. The piece concludes with a sense of strong confidence that the hymn portrays.
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Just Over In The Glory Land
After a short piano introduction, the first part introduces the tune as a solo and then joined in with the others parts as decorations leading up to traditional harmonic movement. The second section alternates between parts in a duet fashion and then breaks into a full trio presentation. With a final flourish the pieces concludes.
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Away In A Manger
For three like instruments, accompanied by piano, the piece is largely homophonic in nature. There are various phrases that are rhythmically altered for interest-active, yet sublime.
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A Passion For Thee
This clarinet trio begins with a delightful moving motive in the piano to be joined with the first part, then a duet with part two and then a trio with all three parts. The next section is solemn as the piano drops out and then all join in for an active presentation. The last section begins the theme in the third part with some imitation from part two until the first part takes over the theme and continues in this manner. The coda is simple giving a sense of peace.
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Our Great Saviour
This duet is unaccompanied and includes both simple duet movement as well as contrasting contrapuntal activity between the parts. As the piece progresses more activity and joy is expressed and ends on a high note giving way to the essence of the title.