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O Worship The King
$4.00This is an unaccompanied trumpet duet written in a majestic manner. It uses imitative entrances between the parts and modulates upward for a strong finish.
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The Solid Rock
$4.00This is an unaccompanied trumpet duet written in a majestic manner. It uses imitative entrances between the parts and modulates upward for a strong finish.
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Guide Me, O Thou Great Jehovah
$5.00This is an unaccompanied trumpets duet written in a majestic style with melodic alterations. At times interest is added by the imitative interplay of parts and continues so until the final statement.
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All Hail The Power…
$5.50A good piece to open a service with since it has the character of a jubilant fanfare. The tombone duet lines are solid and ends on a forceful note.(acc.)
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My Anchor Holds
$4.50This solo is in a march style throughout. It begins with little fanfare figures in the piano and then as it progress the soloist and piano exchange rolls. The second section is in a variation style while the third section is more expressive. The final section is more boisterous ending on a solid footing.
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Hallelujah Chorus
$5.00A solo instrument with piano accompaniment? Can an arrangement capture the essence of the original with the majesty of full chorus and orchestra? This piece really does- it is amazingly complete!
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Lead On O King Eternal
$4.50Originally in a duple meter this arrangement very cleverly is in a 6-8 march style. It progresses in a rather processional manner and then transitions to a slower reflective expression. The piece returns to its former style and then ends on a declamatory note.
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Faith Is The Victory
$4.00This solo with piano starts out in a march triumphal style with a short introduction. The first section is stated in a rather familiar rendition of the melody in varied rhythmic devices. The middle section is a complete change of pace being slower and expressive. With a tempo increase the pieces orients itself back to the first style and tempo. The Coda starts at low ebb and melodically grows until it ends on a high note- then a solid final figure.
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The Old Rugged Cross
$4.50Opening with a tender, contemplative statement, the embellished medley of this solo presents itself only to soar with a meaningful obbligato line, and then settle back into a sense of assurance that this grand old hymn exemplifies.
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Softly And Tenderly
$4.00A gentle introduction by the piano and then the solo trumpet presents the theme with subtle rhythmic deviation. The chorus continues in the same fashion. A quick modulation and the theme continues in a modified fashion with even more scale wise embellishment. The piano then takes over with the tune and with another modulation the solo enters with more harmonic deviation. The Coda section moves with subtle motivic deviation and comes to a solemn rest.
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My Faith Looks Up To Thee
$4.00After a brief introduction the trumpet solo enters with the theme with a piano line that is rather alla-Baroque. The next section is presented in the piano with warm harmonic movement. The middle section is offered by the solo line in a mildly altered tune. This leads to a modulation with textures reminiscent of the previous two styles. The Coda is a majestic conclusion stating the theme of the title.
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Patriot’s Medley
$20.00Scored for the woodwind section of a concert band arrangement, this Easter celebration is presented with strong traditional thematic statements, all the while being surrounded by exuberant obligati features.
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Crown Him With Many Crowns
$20.00Scored for the woodwind section of a concert band arrangement, this Easter celebration is presented with strong traditional thematic statements, all the while being surrounded by exuberant obligati features.
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Only A Sinner
$10.00A woodwind quartet for Flute, oboe, and two clarinets with optional parts for flute and alto sax. Plus a set of fifth parts for bassoon or bass clarinet can allow for the piece being a quintet. The first statement is in the clarinets where it leads into a full ensemble passing the lines amongst the parts. A delightful little segue leads to a modulation where the tune is in the lower lines alternated with flourishes in the flutes. This Alternating texture carries on for some time. Then the tempo picks up for a vibrant exclamation where the theme is once again bantered about where it makes one final boast and concludes.
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I Will Sing Of The Mercies
$9.00A woodwind quintet with opt. parts for Alto Sax and Bass Clar. This piece presents itself with a sense of joy throughout with the introduction itself in a motivic manner setting the tone The piece passes through several modulations where the upper voices carry the melodic material while the lower voices support the ensemble with strength. The writing of this arrangement is well crafted to take advantage of the “woodwind quintet sounds.” It continues that way right up to the very end with a declamatory statement of “Mercy.”
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Guide Me, O Thou Great Jehovah
$9.00A woodwind quintet with opt. parts for Alto Sax and Bass Clar. This piece presents itself with a sense of joy throughout with the introduction itself in a motivic manner setting the tone. The melody is fragmented, passing the tune around to the various voices. The middle section mirrors the introduction in texture and again passes melodic material around the different voices. The final section is more subdued until it starts stacking the motifically structured parts until it ascends to a dramatic conclusion.
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Count Your Blessings
$9.00Be ye thankful! Written for standard woodwind quintet with optional parts, this piece is highly decorated melodically and active rhythmically. It gives both the sense of majesty and joy.
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Blessed Assurance
$9.00This woodwind quintet (with opt. parts) is constantly on the move. While the melodic material is always made aware, the accompanying parts are full of movement. Even with metrical changes there is a constant flow giving a sense confidence and resolve. It bubbles from beginning to end and finally makes a solid statement of assurance.
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A Shelter In The Time Of Storm
$9.00An unaccompanied quartet for two flutes and two clarinets. The introduction is presented in a rather rollicking manner where it breaks into a first presentation of the melody- the verse is more said while the chorus is more snappy. A brief transition gives way to the first flute stating the tune, supported by the clarinets with this chorus more block. A modulation takes place using motivic material from the theme with the style smoother and more contrapuntal. The coda section takes from the introduction material and gains dynamic momentum, with a snappy ending.
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Since I Have Been Redeemed
$9.00An accompanied woodwind quartet for two flutes, two clarinets (and opt. A.Sax). The introduction sets up the emotion of the whole piece which is joy- from beginning to end. The melody is first presented by the flutes and then answered by the clarinets. An interlude is stated by motives leading into a modulation The clarinets once again state the two with joyful punctuations by the flutes. After a brief rit. The piece goes into a slower tempo in four parts where it proceeds to the Coda with motivic statements up to a joyous ending.
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I Have Come From The Darkness
$9.00An accompanied woodwind quartet score for flute, oboe/flute, clarinet, clarinet/alto sax. A brief introduction in the piano based on a melodic motif. The thematic material is now presented in the full woodwind complement with little snippets added in the piano. The second section is slower and expressive in the solo flute added with a duet line. And interjected by the clarinets on occasion. The ensemble now becomes full and moving together while the legato texture continues in an expressive mood. This solidified format continues as in gravitates ever-upward.
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