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I Will Sing Of The Mercies
$5.50Enthusiasm is the nature of this solo. It goes through many transformations of the melody but continually remains joyous. This piece would serve very well as special music in a service.
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What Child Is This
$4.50A violin solo with piano accompaniment. The pieces starts out with piano only and allows the entrance of the solo violin and a rather straight forward rendition of this beloved song. After a brief transition the solo is modified with a constant modified and moving line while being supported by a single voice counterpoint in the left hand of the piano. The chorus is then a bit more staid and the accompaniment more chordal. Another brief piano interlude is stated with melodic material and the piece becomes more fragmented and motivic with a gentle settling to the end.
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Banner Of The Cross
$16.00For brass choir, including 3 trumpets, horn, 2 trombones, baritone, and tuba, the piece starts out in a reflective mood gaining energy to a more fanfare-like presentation of the melody. The second section is more Celtic in nature, ends gloriously.
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Faith Is The Victory
$12.00A Brass choir written for four trumpets, (Opt Horn), two trombones, baritone and tuba. A solid introduction with motives passed around the various parts. The chorus is now given with the theme in the upper lines. Then echoed back in the lowest voice. A brief meter shift and then the harmonized theme gives a sense of security. Then another meter shift with line that acts as a Q&A in a smooth and expressive manner. Now the piece, through a DS gravitates back until it reaches a CODA and ends on a high note- in block structure.
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A Thousand Tongues
$14.00A brass choir scored for three trumpets, horn, two trombones, baritone and tuba. It begins with a growing fanfare with melodic material in the trumpets. The next section has the melody in the low brass where it breaks into a obbligato-like soli in the trumpets. After a modulation the tune is now presented in the middle brass with fanfare-like obbligato in the trumpet where it leads into yet another modulation and alla “in a distance” a march like atmosphere it is established where modified melodic material is presented in the trumpets. This continues until an elevating modulation breaks into a grand finale giving over to the fanfare motives of the beginning and a resounding statement.
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Beulah Land
$14.00A Brass choir written for three trumpets, Horn, two trombones, baritone and tuba. The piece begins in an excitedly manner in the middle brass and then punctuated with the upper brass with ornamental devices. It continues in this form for quite some time until a modulation. The mood becomes more solemn with the theme alternating between the middle-lower voice and then the upper lines. The theme is now present by the trumpet and horn with snippets of rhythmical activity in the remaining trumpets. As the piece begins to conclude the motives are tossed about until a final conclusion.
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Jesus Shall Reign
$13.00For full brass choir and timpani. The piece begins in a fanfare fashion in the trumpets, echoed back by the lower brass. The theme is presented in the trumpets and horns while the accompaniment is punctuated in the trombones. Then the full choir is presented in a choral fashion. The tune is now in the horns while the trumpets and lower brass and timpani make vigorous intejrections. The second section sees an interplay between the various timbres of brass. A modulation takes place and the lower brass present the tune while the trumpets and horns add flourishes. Shortly thereafter the roles are reversed. One final set of fanfares and the piece ends on a high note and active lower brass.
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Only Trust Him
$12.00A Brass choir scored for four trumpets (optional horn), two trombones, baritone and tuba. The beginning is stated in the lower voices in a solemn fashion. The theme then presents itself in the upper voices in s straight forward manner followed by a key shift, giving over to a tuba solo with the middle voices supporting it in a flowing fashion. The next section becomes more rhythmic adding more voices for a full sound continuing on with more imitation amongst the voices building more agitation. The ensemble becomes increasingly chordal with some punctuating motives in the lower parts and then settles into a quiet resolve.
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It Is Well
$12.00Brass choir scored for four trumpets (opt horn) two trombones, baritone BC/TC and tuba. This entire piece is one of serenity, gentleness and great affect. The introduction is in the lower voices producing a rich sound and sense of expectation. The trumpets add in on the melody with long lines of expression, and then the lower voices offer a response in like manner. The next section increases in movement and dynamic until it modulates to a new key center. The phrases now alternate between the low voices in an almost antiphonal fashion. Another modulation elevates the urgency of the piece and the trumpets carry the entire load throughout this section. The rest of the instruments then bolster the ensemble giving increased strength. The pieces quiets and becomes reflective and then settles with an “all is well.”
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Protection Medley
$12.00A brass sextet with opt. parts for flugelhorn and BHTC. The beginning presents a vigorous fanfare where it settles down into solemn rendition of “Leaning On The Everlasting Arms.” After a motivic transition the piece continues with a tuba solo “A Shelter In The Time Of Storm”. with more open scoring passing the tune around amongst the parts. Another modulation, another tune- this time “The Solid Rock” in a slower tempo giving resolve and purpose. The Coda is in a fanfare stance gaining more power leading up to the final chord.
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Praise Medley
$12.00(3-tp, 3-trb, opt hn, bar, tba): To God Be the Glory; I Will Praise Him; Holy, Holy, Holy; Come Christians Join to Sing
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Power Medley
$11.00This brass sextet is a medley including I Sing The Mighty Power Of God; All Hail The Power; Power In The Blood; and, A Mighty Fortress. It begins with a full ensemble fanfare in a regal fashion breaking into the first theme. It continues in this fashion until a stately rendition of A Mighty Fortress with an answer in a smoothly, reflective style. It ends in an ambitious fanfare much the way it begins.
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Pilgrim Medley
$12.00A brass sextet with opt. parts for flugelhorn and BHTC. The beginning introduces stacked motives building to full chords. Following is a rendition of “When I Can Read My Title Clear” with melody broken down into fragments passed around to the various instruments. After key changes the quintet presents “I Am Bound For The Promised Land” in much the same fabric of the earlier section. After a brief transition in a new key we find “Just Over In The Glory Land” in a more flowing style than the earlier tunes. The Coda section becomes my rhythmically active where it ends on a solid chord .
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Proclamation Medley
$12.00A brass sextet with opt. parts for flugelhorn and BHTC. The beginning presents a vigorous fanfare where it settles down into solemn rendition of “We’ve A Story To Tell To The Nations.” After a modulation the piece continues with “I Love To Tell The Story” with more open scoring passing the tune around amongst the parts. Another modulation, another tune- this time “Send The Light” in a march style giving purpose. Another modulation leading into “Since I Have Been Redeemed” in the upper parts, only to be followed with the theme in the lower voices. Then after a sequence of cascading entrance the piece concludes on a resounding sense of resolve.
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Jonah
$12.00A brass sextet scored for two trumpets, horn, trombone, baritone and tuba (and opt. trp for horn). The style is a takeoff of traditional naval tunes. The first section presents the tune in a jovial manner with interludes by the upper brass and continues with motives passed around the various voices. A modulation takes place with thematic material in the lower brass. Now, little snippets of patterns passed around until another modulation leading to material like the beginning. Then a playful exchange of lines leading up to a final kicker.
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Patriot’s Medley (Woodwind Supplement)
$7.00The score is set up various woodwinds to supplement the brass arrangement including: “God Of Our Fathers,” “Battle Hymn of the Republic,” and ending with “America.” It captures all the grandeur and majesty one would expect in an arrangement such as this.
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Patriot’s Medley
$12.00The score is set up for 2 trumpets, horn, 2 trombones and tuba. The medley includes: “God Of Our Fathers,” “Battle Hymn of the Republic,” and ending with “America.” It captures all the grandeur and majesty one would expect in an arrangement such as this.
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How Can I Fear?
$11.00This piece starts out in a plaintive style in the upper brass and then is responded in like kind by the lower brass. The second section transposes up a step and with more contrapuntal design giving more tension only to settle down to a sense of consolation.
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Wonderful Grace Of Jesus
$12.00A brass quintet (optional sextet- BHBC) with opt. parts for flugelhorn and BHTC. The piece begins in a cheerful fashion with interplay between the upper parts and lower parts and then settles in with the middle parts carrying the melody followed with the melody fragmented amongst all the parts. A transition ensues leading up to a modulation where the lower voices carry the melody and the upper lines answer with fanfares. Another modulation occurs where the lower voices once again carry the tune. Once again, the melody is fragmented into passed around motives until it reaches a conclusion of stacked entrances.
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When The Roll Is Called Up Yonder
$10.00A brass quintet with opt. Horn for trombone and baritone TC.for tuba. With a pulsing, marching style introduction the first theme is presented in the trombone supported by the tuba. It is then passed on to the trumpets and then enriched with contrapuntal movement. A melodic motif is now passed about amongst the voices all the while supported with contrapuntal interest in each of the other voices. Next the lower voices present the tune followed by relaxation of a gentle presentation of the tune. After an abrupt slow down, the whole ensemble breaks into joyfulness and continues that way to the end where it makes a final statement of victory.
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We Have An Anchor
$10.00Traditional quintet scoring with optional trumpet for horn and baritone for tuba. The introduction is very much in the style of a fanfare. The first melodic statement is in the trumpets and horn then added contrapuntally by the trombone. The next phrase alternates between the lower voices and then upper voices. Next, the melody is augmented rhythmically while support by chordal movement underneath. A quick modulation upward with motives much like the beginning with the motive tossed about amongst the different voices. Then comes a slow section with expressive movement between the voices with the melodic material and the supported chords become increasingly more bold right up to a solid ending.
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The Fight Is On
$11.00Scored as a traditional bras quintet, the piece is a vigorous march in style and form. With fragments of the tune in the upper brass and answered in the lower voices. The second statement of the theme the roles are reversed. A modulation takes place and the theme is fragmented amongst the parts. Imitation takes place with some Q&A where it all leads up to a joyous conclusion. It sounds and feels like a school Fight Song.
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Christmas For Brass
$12.00Scored for traditional brass quintet the piece incorporates material from Pat-a-Pan with the melodic material in the upper voices and then passed to the lower voices. After much rhythmic activity the piece becomes more legato and flowing, and modulates to a new key using material from “O Come, O Ye Faithful Him,” in a fugal style After a new modulation the fragmented theme is broken into entrances by the various instruments- the tune_ “God Rest Ye Merry Gentlemen,” where it is broken into more syncopated renditions. Another modulation? Yes and this time introducing “Angels From The Realms Of Glory” The final section is imitative with brief snatches of “Joy To The World!”
