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Holy, Holy, Holy
This sextet takes a different twist on what is typically a reverent piece and makes it majestic. From the traditional 4-4 meter it is presented in 6-8 giving it a lilt. The trumpets weave in and out with the melodic material while the other brass parts punctuate the lines. The second section is much in a fugal structure (in 4-4) and then gravitates back to 6-8 swapping the theme between the upper and lower parts. The contrapuntal activity increases as the tension mounts ending with a bold proclamation.
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Holy, Holy, Holy
An unaccompanied duet for viola and cello the introduction is a simple motif. The first verse is straight forward alternating between the two parts with active rhythmic counter lines. As the piece progresses it uses continual arpeggiated counter lines giving a continual flowing feeling. The coda ends much as the piece began and concludes in solemn repose.
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Holy, Holy, Holy
A traditional string quartet with option violin for viola. The introduction and first melodic statement is rather straight forward giving a beauty with its simplicity. The next section has the second violin carrying the melody in an altered fashion. Then a modulation upward takes place and the piece becomes stronger in its structure. The final section shimmers and having more movement until it makes its final statement of resolve.
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Holy, Holy, Holy
This solo with piano is straight forward in design, giving the young player the opportunity to display dynamic and stylistic variety.The arrangement is edited with bowing and fingering
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Holy, Holy, Holy
This solo with piano is straight forward in design, giving the young player the opportunity to display dynamic and stylistic variety.The arrangement is edited with bowing and fingering
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Holy, Holy, Holy
This solo with piano is straight forward in design, giving the young player the opportunity to display dynamic and stylistic variety.The arrangement is edited with bowing and fingering
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Holy, Holy, Holy
This solo with piano is straight forward in design, giving the young player the opportunity to display dynamic and stylistic variety.
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Holy, Holy, Holy
Written for Brass quartet, this pieces creates a solemn presence by the way it interweaves the various parts together. It would work well for a meditation.
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Holy, Holy, Holy
This solo with piano is straight forward in design, giving the young player the opportunity to display dynamic and stylistic variety.
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Holy, Holy, Holy
This solo with piano is straight forward in design, giving the young player the opportunity to display dynamic and stylistic variety.
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Holy, Holy, Holy
Written for French horn quartet, this pieces creates a solemn presence by the way it interweaves the various parts together. It would work well for a meditation.
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Holy, Holy, Holy
This solo with piano is straight forward in design, giving the young player the opportunity to display dynamic and stylistic variety.
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Holy, Holy, Holy
This solo with piano is straight forward in design, giving the young player the opportunity to display dynamic and stylistic variety.
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Holy, Holy, Holy
Written for flute, oboe, clarinet or saxophone this pieces creates a solemn presence by the way it interweaves the various parts together. It would work well for a meditation.
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Holy, Holy, Holy
Written for Saxophone quartet, this pieces creates a solemn presence by the way it interweaves the various parts together. It would work well for a meditation.
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Holy, Holy, Holy
This solo with piano is straight forward in design, giving the young player the opportunity to display dynamic and stylistic variety.
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Holy, Holy, Holy
This solo with piano is straight forward in design, giving the young player the opportunity to display dynamic and stylistic variety.