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The Love Of God
$4.95This trombone solo with piano accompaniment is based on a classic hymn tune. The simple variations with add interest for the younger horn player. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special.
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The Love Of God
$4.95This french horn solo with piano accompaniment is based on a classic hymn tune. The simple variations with add interest for the younger horn player. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special.
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The Love Of God
$4.50A brass solo with piano that expresses itself with altered melody lines, rhythm-wise, giving a great opportunity for great expressiveness. The middle section is enhanced by beautiful counterlines moving to melodic motifs to the end.
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The Love Of God
$4.50A brass solo with piano that expresses itself with altered melody lines, rhythm-wise, giving a great opportunity for great expressiveness. The middle section is enhanced by beautiful counterlines moving to melodic motifs to the end.
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The Love Of God
$4.50A brass solo with piano that expresses itself with altered melody lines, rhythm-wise, giving a great opportunity for great expressiveness. The middle section is enhanced by beautiful counterlines moving to melodic motifs to the end.
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The Love of God
$30.00A dramatic portrayal of God’s Love, there is a sense throughout of the “uplift” we can experience by the presence of that Divine Love in our lives, as depicted by the use of unusual harmonies and modulations. The effective use of chromaticism, throughout brings us to that realization, and perfectly matches the moods of the text, The Love Of God.
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The Love Of God
$8.00This trio begins with a simple rendition of the melody supported by the lower voices and then goes into light imitation of the melodic motifs. The second statement passes the tune around the parts with brief embellishment by the remaining parts and then concludes on a strong chord with piano under-pining.
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The Love Of God
$8.00This trio begins with a simple rendition of the melody supported by the lower voices and then goes into light imitation of the melodic motifs. The second statement passes the tune around the parts with brief embellishment by the remaining parts and then concludes on a strong chord with piano under-pining.