-
-
Fanfare on Alleluias
$9.50This is a brass trio with piano accompaniment. The brass scoring is for trumpet, horn or flugel horn, and trombone or baritone. The style is presented in a majestic manner first in block harmonies and then in a hocket structure. After a florid manner the piece follows a somewhat straight forward manner using fanfare motives in the upper parts the motion becomes more imitative. The final section is quite imitative and uses an overlayering of parts producing enjoyable passing around of the tune in a contrapuntal manner. With a final fanfare the piece concludes.
-
All Creatures Of Our God And King
$12.95This trumpet quintet is based on a classic hymn. After the majestic presentation of the classic hymn tune. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special. This arrangement of the hymn tune will provide an interesting variation in playing styles for the intermediate player.
-
All Creatures of Our God and King
$16.003 tpts, 2 horns, 2 tbns, tuba, opt. snare drum (tpt sub. for both horns)
-
Alleluia!
$12.00Scored for various mallet instruments as well as general percussion. The piece begins with tutti percusion overlayed with vocal narrations giving a dramatic effect. The piece then explodes with a mallet ostinato and then joined with tutti mallets on the theme. Next, after a ritardando, the mallets present a calm thematic rendition supported by gentle effects of the other percussion. It builds to a strong climax and the ostinato returns with the theme to follow. The final section uses imitative devices with the general percussion becoming more active. Until it all leads up to a stirring conclusion.
-
All Creatures/Our God And King
$9.95Four Plus Brass Series- for two Trumpets and two Trombones (with opt. Horn and Tuba for color). In Alla breve the trumpets begin the piece in exultation with counter-movement in the trombones passing through a maze of meter changes. The theme tends to be insolated by part, but does exchange between the voices in an imitative format. This format continues, only in a more harmonically full scoring. The second section is stronger in fabric and the voicing becomes more solid. This all leads up to a solid conclusion with a final statement of satisfaction.
