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No Other Plea
SMS: Brass quartet for two trumpets and two trombones (opt horn and BHTC). This piece presents the tune in various harmonic ways- unison, duet line and full chord. It is straight forward in its presentation.
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My Faith Has Found A Resting Place
Scored for 2 trumpets, horn, trombone and piano the piece begins with a gentle expression only to be met with a more active exuberance. It then quiets and then comes to a gentle repose.
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No Other Plea – My Faith Has Found A Resting Place
Rich Heffler has managed once again to place some outstanding classical idioms into an arrangement of a great hymn – only this time, he does it for the string ensemble. Reminiscent of some Beethoven-like musical figures, this setting is pure delight.
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No Other Plea
Rich Heffler has managed once again to place some outstanding classical idioms into an arrangement of a great hymn – only this time, he does it for the string ensemble. Reminiscent of some Beethoven-like musical figures, this setting is pure delight.
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No Other Plea
Rich Heffler has managed once again to place some outstanding classical idioms into an arrangement of a great hymn – only this time, he does it for the string ensemble. Reminiscent of some Beethoven-like musical figures, this setting is pure delight.
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My Faith Has Found a Resting Place
An accompanied flute solo which begins with the flute alone. The second phrase is together. The following phrase as a more active accompaniment giving a flowing feeling. The second melodic statement is very ornamented with a lot of flourish. The next section is a variation using a triplet figure leading where the next phrase is in quadruplets. With a brief pause the piece becomes much slower and expressive and continues in that manner until the piece lies in repose.
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My Faith Has Found A Resting Place
This tenor sax solo begins with a brief piano introduction and presents the tune in a gently embellished manner that creates interest. After a brief intermission the soloist presents the tune with even more melodic embellishment and ryhthmic activity. Another intermission coupled with a modulation where the piano now carries the tune while the soloist offsets it with a countermelody, The solo line now captures the tune and carries it to the end where it makes a final, restful statement.
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My Faith Has Found A Resting Place
This alto sax solo begins with a brief piano introduction and presents the tune in a gently embellished manner that creates interest. After a brief intermission the soloist presents the tune with even more melodic embellishment and ryhthmic activity. Another intermission coupled with a modulation where the piano now carries the tune while the soloist offsets it with a countermelody, The solo line now captures the tune and carries it to the end where it makes a final, restful statement.
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My Faith Has Found A Resting Place
This clarinet solo begins with a brief piano introduction and presents the tune in a gently embellished manner that creates interest. After a brief intermission the soloist presents the tune with even more melodic embellishment and ryhthmic activity. Another intermission coupled with a modulation where the piano now carries the tune while the soloist offsets it with a countermelody, The solo line now captures the tune and carries it to the end where it makes a final, restful statement.
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My Faith Has Found A Resting Place
This oboe solo begins with a brief piano introduction and presents the tune in a gently embellished manner that creates interest. After a brief intermission the soloist presents the tune with even more melodic embellishment and ryhthmic activity. Another intermission coupled with a modulation where the piano now carries the tune while the soloist offsets it with a countermelody, The solo line now captures the tune and carries it to the end where it makes a final, restful statement.
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My Faith Has Found A Resting Place
This flute solo begins with a brief piano introduction and presents the tune in a gently embellished manner that creates interest. After a brief intermission the soloist presents the tune with even more melodic embellishment and ryhthmic activity. Another intermission coupled with a modulation where the piano now carries the tune while the soloist offsets it with a countermelody, The solo line now captures the tune and carries it to the end where it makes a final, restful statement.